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Mozarabic art. 10th century. Codex Vigilanus or Albeldensis

Mozarabic art. 10th century. Codex Vigilanus or Albeldensis


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Mozarabic art. 10th century. Codex Vigilanus or Albeldensis

Mozarabic art. 10th century. Codex Vigilanus or Albeldensis, (976). The nine portraits. Page showing three visigothic kings, three kings of Navarre and three scribes of the codex. Library of the Monastery of San Lorenzo de El Escorial. Spain

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Media ID 14320915

© Thaliastock / Mary Evans

10th Codex Garcia Illuminated Manuscript Martian Mozarabic Navarre Pamplona Ramiro Sancho Scribe Visigothic Albelda Egica Garces Recceswinth Recesvinto Urraca


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This stunning image is taken from the pages of the Codex Vigilanus or Albeldensis, a 10th-century Mozarabic manuscript discovered in the Monastery of San Lorenzo de El Escorial in Spain. The Codex, also known as the "Liber Conciliorum" or "Book of Councils," is a collection of ecclesiastical decrees and laws from the Visigothic period. The photograph showcases a page featuring nine portraits, including three Visigothic kings, three kings of Navarre, and three scribes who worked on the creation of this magnificent manuscript. The three Visigothic monarchs depicted are King Chindasuinth, Reccesuinth, and Recceswinth. The Navarrese rulers are King Sancho II of Pamplona, Garces I of Pamplona, and Ramiro I of Aragon. The intricate and exquisite details of the miniatures demonstrate the advanced artistic skills and techniques of Mozarabic art during the Middle Ages. The portraits are characterized by their elongated faces, almond-shaped eyes, and elegant clothing. The kings are shown wearing crowns and holding scepters, while the scribes are depicted with their quills and inkpots, symbolizing their dedication to the preservation of knowledge. The Codex Vigilanus or Albeldensis is a testament to the rich cultural heritage of Spain during the Visigothic and Mozarabic periods. Its stunning illustrations and historical significance make it an invaluable treasure for scholars and art enthusiasts alike.

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