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Carriage of the Kong Tchou, the Qing Emperor s
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Carriage of the Kong Tchou, the Qing Emperor s
Carriage of the Kong Tchou, the Qing Emperors eldest daughter. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Bretons China, Its Costumes, Arts, Manufactures, etc. Howlett and Brimmer, London, 1824
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Media ID 23164246
© Florilegius/Mary Evans
Andrea Antoine Arts Baptiste Bertin Breton Cardon Eldest Emperors Freschi Henri Leonard Jean Baptiste Horse Drawn Howlett Kong Livery Manufactures Qianlong Qing Servants
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EDITORS COMMENTS
This stunning handcoloured copperplate engraving depicts the Carriage of the Kong Tchou, the eldest daughter of the Qing Emperor, aboard her horse-drawn carriage during the Qianlong period (1736-1795). The image, created by Andrea Freschi after Antoine Cardon, was published in the comprehensive work "China, Its Costumes, Arts, Manufactures, etc." by Henri-Leonard Jean Baptiste Bertin and Jean Baptiste Joseph Breton in 1824. The carriage, adorned with intricate decorative elements, is pulled by a team of horses, each led by a liveried servant. The Kong Tchou, dressed in elegant imperial robes, sits regally in the carriage, her expression serene and composed. The livery of the servants, with their bright red jackets and yellow trousers, adds a vibrant contrast to the muted tones of the carriage and the surrounding landscape. The meticulous attention to detail in this engraving is a testament to the artistic skill and craftsmanship of the time. The delicate handcolouring adds depth and texture to the image, bringing the carriage and its occupants to life. The overall effect is one of grandeur and opulence, reflecting the rich cultural heritage and artistic traditions of imperial China. This engraving offers a unique glimpse into the life of the Qing Emperor's eldest daughter and the luxurious world she inhabited. It is a valuable historical record and a beautiful work of art in its own right, showcasing the beauty and complexity of Chinese culture during the Qianlong period.
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