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Courtyard of the Dolls, Real Alcazar, Seville, 18th century

Courtyard of the Dolls, Real Alcazar, Seville, 18th century


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Courtyard of the Dolls, Real Alcazar, Seville, 18th century

Courtyard of the Dolls, Patio de las Munecas, in the Royal Palace or Real Alcazar in Seville, Andalucia, Spain, 18th century. Cortile dell Alcasar di Seviglia. Handcoloured copperplate engraving by Giarre after Giulio Ferrario in his Costumes Ancient and Modern of the Peoples of the World, Il Costume Antico e Modern o Story, Florence, 1829

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Media ID 23384740

© Florilegius

Alcazar Alhambra Antico Arabian Arabica Corsi Courtyard Dolls Ferrario Giulio Granada Hispano Islamic Moorish Moresque Muslim Peoples Pottery Real Seville Tile Vase Ware Vaso


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Hipposideridae > Arabica

> Architecture > Country > Spain

> Architecture > Palaces

> Architecture > Styles > Islamic Architecture

> Arts > Artists > F > Giulio Ferrario

> Europe > Spain > Granada

> Europe > Spain > Palaces

> Europe > Spain > Seville

> Mary Evans Prints Online > New Images August 2021


EDITORS COMMENTS
The enchanting Courtyard of the Dolls, or Patio de las Munecas, in the historic Real Alcazar of Seville, Andalusia, Spain, transports us back to the 18th century with this stunning handcoloured copperplate engraving. The intricately designed courtyard, a masterpiece of Moorish architecture, is adorned with vibrant Hispano-Moresque pottery, showcasing intricate tile patterns inspired by Arabesque motifs. The courtyard's name derives from the life-sized dolls, dressed in traditional Andalusian attire, which once inhabited the niches of the arches. The Alcazar, a royal palace, was built during the Moorish Almohad dynasty in the 13th century and has since undergone various renovations, including additions by the Christian monarchs Peter of Castile and Charles V. The fusion of Moorish and Christian architectural elements is evident in this image, as the arches and columns are adorned with delicate floral motifs and geometric patterns. The centerpiece of the courtyard is a grand vase, reminiscent of the renowned pottery from Granada, which adds to the exotic allure of this enchanting space. The handcoloured copperplate engraving, created by Giarre after Giulio Ferrario in his Costumes Ancient and Modern of the Peoples of the World, provides a glimpse into the rich history and cultural fusion that characterizes the Alhambra and the Real Alcazar of Seville. This illustration is a testament to the enduring beauty and influence of the Islamic art and architecture that shaped the Iberian Peninsula during the 18th century.

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