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Fencer in second position of garde de quarte
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Fencer in second position of garde de quarte
Gentleman fencer in second position of garde de quarte. Copperplate engraving by D Jenkins after an illustration from life by J. Roberts from Mr. J. Oliviers Fencing Familiarized, or a New Treatise on the Art of Sword Play, John Bell, London, 1771
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Media ID 23178324
© Florilegius/Mary Evans
Epee Familiarized Fencer Fencing Foil Garde Gentleman Jenkins Olivier Position Roberts Swordfight Treatise Quarte
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EDITORS COMMENTS
This copperplate engraving, titled 'Gentleman Fencer in Second Position of Garde de Quarte,' showcases the elegant art of fencing as it was practiced during the 18th century. The image, created by engraver D. Jenkins based on an illustration from life by J. Roberts, is taken from Mr. J. Olivier's Fencing Familiarized, or A New Treatise on the Art of Sword Play, published in London in 1771. The fencer in the print is depicted in the second position of garde de quarte, a defensive stance that leaves the right side of the body open while protecting the left. The epee or foil, a light, thin-bladed weapon, is held in the right hand, ready for swift and precise movements. The fencer's eyes are focused intently on his opponent, conveying the intense concentration required for a successful duel. Fencing, an art form that originated in the Renaissance period, was a popular pastime among the European aristocracy. The practice of swordsmanship was considered essential for gentlemen, and manuals such as Olivier's treatise provided guidance on the techniques and strategies for effective swordplay. The intricate details in the engraving, from the fencer's finely tailored attire to the delicate folds of his cloak, demonstrate the high level of skill and craftsmanship involved in producing such a work of art. This print offers a glimpse into the world of 18th-century fencing, a time when the art of the sword was both a practical skill and a symbol of refinement and elegance.
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