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George Stephenson at Darlington - embroidery

George Stephenson at Darlington - embroidery


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George Stephenson at Darlington - embroidery

Engraving of a painting by A. Rankley, " George Stephenson at Darlington in 1823." Stephenson would often drop in on Joseph Pease to talk with him about the progress of the Darlington and Stockton Railway, and Peases daughters were usually present working on their embroidery. Stephenson, who had learnt embroidery while a brakesman at Killingworth (" while working on the pitmans buttonholes by the engine fire at nights." ), and he would volunteer to instruct the girls. This picture was exhibited at the Royal Academy in 1861.
1823

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Media ID 23361528

© Illustrated London News Ltd/Mary Evans

1823 Darlington Daughters Demonstrating Embroidery Instructing Instruction Jan20 Needlework Pease Skill Skills Stephenson


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George Stephenson at Darlington in 1823

EDITORS COMMENTS
is an engraving of a painting by A. Rankley, showcasing an intriguing moment in the history of both railways and domestic life. The image captures George Stephenson, the pioneering engineer behind the Rocket locomotive, engaged in an unexpected activity at the home of Joseph Pease in Darlington. In this scene, Stephenson, dressed in a simple waistcoat and cravat, sits comfortably in a chair, surrounded by the Pease family. Joseph Pease, a prominent local businessman and railway promoter, is deeply engrossed in a document, while his daughters, clad in elegant dresses, focus intently on their embroidery. Stephenson, who had learned the art of embroidery during his earlier days as a brakesman at Killingworth, volunteers to instruct the girls. The painting depicts a domestic setting, where the boundaries between industry and home life blur. The presence of Stephenson, a renowned figure in the railway industry, adds an unusual twist to the scene. This image, exhibited at the Royal Academy in 1861, offers a glimpse into the past, revealing an unexpected side to the man behind the steam engine revolution. Stephenson's dedication to teaching the girls needlework underscores the value placed on domestic skills during the 19th century. It also highlights the importance of versatility and adaptability, as Stephenson, a man of science and engineering, found joy and purpose in the seemingly mundane activity of embroidery. This image offers a unique perspective on the lives of the past, merging the worlds of industry and domesticity in a single, intriguing moment.

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