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Leaving the Munitions Works, by Winifred Knights, WW1

Leaving the Munitions Works, by Winifred Knights, WW1


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Leaving the Munitions Works, by Winifred Knights, WW1

Leaving the Munitions Works, watercolour by Winifred Knights, First World War.
1919

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 23056582

© Liss Fine Art / Mary Evans Picture Library

Dangerous Knights Leaving Manual Manufacture Munitions Postwar Winifred Worker 1919 Weapons


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EDITORS COMMENTS
Leaving the Munitions Works" is a poignant and evocative watercolour painting by the British artist Winifred Knights, created in 1919, following the end of the First World War. This powerful artwork captures the essence of the post-war era, as women, dressed in their work uniforms, leave the munitions factory for the last time. The painting portrays a scene of industrial activity, with the imposing red-brick walls of the munitions works looming in the background. The women, each carrying a small bundle or parcel, make their way out of the factory gates, their faces reflecting a mix of relief, exhaustion, and determination. The artist masterfully uses light and shadow to create depth and texture, with the sun casting long shadows on the pavement and illuminating the women's faces. The munitions industry played a crucial role in the First World War, with factories producing weapons and ammunition to support the war effort. Women, many of whom had never worked outside the home before, were recruited in large numbers to work in these factories, often in dangerous conditions. Knights' painting pays tribute to their hard work and sacrifice, as well as the end of an era in which women's roles in the workforce were significantly expanded. Leaving the Munitions Works is a testament to the resilience and determination of the human spirit, as well as a poignant reminder of the sacrifices made during the First World War. Winifred Knights' masterful use of watercolour captures the mood and atmosphere of the post-war era, making this painting a valuable and important work of art from the 1910s.

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