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Spikenard, Nardostachys jatamansi, and lavender

Spikenard, Nardostachys jatamansi, and lavender


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Spikenard, Nardostachys jatamansi, and lavender

Spikenard, Nardostachys jatamansi, and lavender, Lavandula angustifolia. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicers Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript

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Media ID 23191704

© Florilegius/Mary Evans

Adam Angustifolia Captions Edition Germanica Herb Herbal Indica Krauterbuch Latin Lavandula Lavender Lonicer Pirate Woodblock Woodcut Spica Spikenard


EDITORS COMMENTS
1. Title: A Harmonious Union of Spikenard and Lavender: A Botanical Ode to Healing and Fragrance This exquisite handcoloured woodblock engraving, hailing from the 16th century, showcases two beloved herbs: Spikenard (Nardostachys jatamansi) and Lavender (Lavandula angustifolia). The intricately detailed illustration, taken from Adam Lonicer's Krauterbuch or Herbal, published in Frankfurt around 1557, is a testament to the profound appreciation for the natural world during the Renaissance era. The illustration captures the essence of Spikenard, a plant native to the Himalayas, with its rhizomes, leaves, and flowers depicted in stunning detail. Spikenard, also known as Indian Nard or Blue Spikenard, was highly valued for its aromatic oil, which was used in perfumes, cosmetics, and religious rituals. In traditional Ayurvedic and Tibetan medicine, Spikenard was believed to have numerous therapeutic properties, including anti-inflammatory, antiseptic, and calming effects. Lavender, with its delicate purple flowers, graces the right side of the engraving. This versatile herb, native to the Mediterranean, was cherished for its calming fragrance and medicinal properties. Lavender oil was widely used to alleviate anxiety, promote sleep, and ease pain. The illustration is a beautiful example of the meticulous craftsmanship of the time, with each detail lovingly rendered in handcolour. The Latin, Greek, French, Italian, German, and English captions surrounding the image attest to the global reach of botanical knowledge during the Renaissance. This pirate edition or atlas of illustrations, with its rich historical context, offers a glimpse into the world of herbal medicine and the enduring fascination with the natural world.

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