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Woman in long coat of chincilla fur with lampstand

Woman in long coat of chincilla fur with lampstand


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Woman in long coat of chincilla fur with lampstand

Woman in long coat of chincilla fur, wide brimmed hat with feathers, fixing a lampstand. Grand manteau de chinchilla. Handcoloured pochoir (stencil) etching after an illustration by Adrien Etienne Drian from Tommaso Antonginis Journal des Dames et des Modes, Aux Bureaux du Journal des Dames, Paris, 1912

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Media ID 23380016

© Florilegius

Antongini Ballets Belle Borde Casaque Chic Dames Drape Epoque Etching Fernand Glycine Journal Lilac Mirror Modes Mousseline Muslin Noir Orientalism Parisiens Petite Pochoir Russes Silk Simeon Soie Stencil Tommaso Velours Velvet Vest Deco Deshabille Frappe


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> Europe > France > Paris > Ballet

> Europe > France > Paris > Fashion

> Europe > United Kingdom > England > London > Art > Related Images

> Historic > Historical fashion trends > Art Deco fashion trends

> Mary Evans Prints Online > New Images August 2021

> Popular Themes > Art deco


EDITORS COMMENTS
This image captures the essence of early 20th century elegance and glamour. The woman, dressed in a luxurious long coat made of chinchilla fur, exudes an air of sophistication and refinement. She wears a wide-brimmed hat adorned with feathers, adding an exotic touch to her outfit. In her hand, she holds a lampstand, adjusting it with a thoughtful expression. The room around her is decorated in a grand style, with lilac and muslin drapes, a mirror reflecting the opulence, and a black velvet vest hanging on the wall. The intricate details of the room and the woman's attire are beautifully rendered in this handcoloured pochoir (stencil) etching. The illustration is based on a drawing by Adrien Etienne Drian, published in Tommaso Antongini's Journal des Dames et des Modes in 1912. The Journal was a popular French fashion magazine of the Art Deco and Belle Epoque eras, known for its stunning illustrations and coverage of the latest trends. This image, with its Orientalist influences and influences from the Ballets Russes, represents the chic Parisian fashion scene of the time. The woman's deshabille, or dressing gown, is made of mousseline and soie, while her petite casaque, or tunic, is of velours noir. The overall effect is one of timeless beauty and elegance, transporting us to a bygone era of grandeur and glamour.

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