The Shop. This oil painting shows a series of male figures

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The Shop. This oil painting shows a series of male figures

This oil painting shows a series of male figures, including a man in military uniform, a seated boy, a suited man, and a mannekin, all facing to the right. Date: circa 1909

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Media ID 32243076

© CLM Archive Collection / Mary Evans

Facing Figures Hugo Including Lambert Melbourne Meyer Possession Suited Washington 1919 Mannekin

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EDITORS COMMENTS
This oil painting, titled "The Shop," dates back to circa 1909 and showcases a compelling arrangement of male figures. The composition features a man in military uniform, a seated boy, a suited man, and a mannequin, all intently facing to the right. The painting, a part of the March of the Women Collection from Mary Evans Prints Online, offers a glimpse into the past with its intricate details and rich colors. The man in military uniform, with his stern gaze and posture, exudes a sense of authority and discipline. His presence could suggest a connection to the local community or even a passing traveler. The seated boy, with his thoughtful expression and rosy cheeks, appears to be deep in thought, perhaps pondering the world around him. The suited man, with his serious expression and well-groomed appearance, could be a local businessman or a visitor to the area. The mannequin, dressed in fashionable attire, adds an intriguing element to the scene. Its stillness and lifelike features make it seem almost alive, inviting the viewer to imagine the stories it could tell. The painting's title, "The Shop," suggests that this gathering may have taken place in a store or a similar establishment. The painting's provenance is not directly linked to any specific company or commercial use. However, it is worth noting that the painting was created around the same time as significant events in Australian history, such as the 1913 Harvester Judgment and the 1917 conscription referendum. These events could have influenced the painting's subject matter or context. The painting was created by an unknown artist, but it is believed that George Washington Thompson, Thomas Lambert, and Hugo Meyer, Esq., may have had some involvement in its creation or ownership. This intriguing painting invites the viewer to explore the stories and histories hidden within its rich details and captivating composition.

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