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Renaissance. Masaccio (1401-1428). The Madonna and Child wit

Renaissance. Masaccio (1401-1428). The Madonna and Child wit


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Renaissance. Masaccio (1401-1428). The Madonna and Child wit

Renaissance. Quattrocento. Masaccio (1401-1428). The Madonna and Child with St. Anne (Sant Anna Metterza), Probably in collaboration with Masolino da Panicale, 1424. The Uffizi Gallery. Florence, Italy

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Media ID 14332955

© Thaliastock / Mary Evans

1424 Angels Anne Collaboration Florence Gallery Giovanni Masaccio Painter Quattrocento Renaissance Simone Tommaso Uffizi Virgin Masolino Panicale


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EDITORS COMMENTS
The Madonna and Child with St. Anne, also known as the Sant'Anna Metterza, is a renowned masterpiece of the Early Renaissance period, created around 1424 by the Italian painter Masaccio, possibly in collaboration with Masolino da Panicale. This iconic painting is housed in the prestigious Uffizi Gallery in Florence, Italy. Masaccio, born Tommaso di Ser Giovanni Simone, is considered one of the pioneers of the Renaissance movement in Europe. His innovative use of perspective and realistic representation of human anatomy revolutionized the art world, moving away from the flat, two-dimensional style of the Middle Ages. The Madonna and Child with St. Anne is a striking example of Masaccio's artistic prowess. The painting depicts the Virgin Mary holding the infant Jesus, while St. Anne, Mary's mother, supports them both. The peaceful scene is surrounded by four angels, two of whom play musical instruments. The intricate details and lifelike expressions of the figures, as well as the harmonious use of light and shadow, demonstrate Masaccio's mastery of oil painting techniques. The collaboration between Masaccio and Masolino da Panicale, if confirmed, is an intriguing aspect of this artwork's history. Both artists were influential figures in the Quattrocento period, and their combined efforts may have contributed to the painting's exceptional beauty and historical significance. The Madonna and Child with St. Anne remains a cherished work of art, not only for its artistic merit but also for its role in shaping the course of Western art history. Its presence in the Uffizi Gallery is a testament to Florence's rich cultural heritage and its enduring commitment to preserving the world's artistic treasures.

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