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Repairing Ushiwakamarus high clogs (takageta)

Repairing Ushiwakamarus high clogs (takageta)


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Repairing Ushiwakamarus high clogs (takageta)

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 7353702

© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10603026

Clogs Repairing Woodblocks Woodcuts


EDITORS COMMENTS
This exquisite woodblock print captures the intricate process of repairing traditional Japanese high clogs, known as Ushiwakamaru or Takageta, in an authentic Japanese workshop. The artisans meticulously mend the worn-out wooden soles and heels of these iconic footwear using an array of hand tools and natural materials. Ushiwakamaru clogs, also called "farm clogs" or "straw sandals," have been a vital part of Japanese rural life for centuries. They were traditionally worn by farmers, fishermen, and laborers due to their durability and water resistance. The high clogs were designed to protect the feet from harsh weather conditions and long hours of work in the rice paddies and fields. The art of repairing Ushiwakamaru clogs has been passed down through generations, and this woodblock print offers a glimpse into the rich cultural heritage and craftsmanship that continues to thrive in Japan. The intricate details in the print, from the worn-out clogs to the various tools and materials used in the repair process, showcase the dedication and skill of the artisans. The woodblock print also highlights the beauty and simplicity of the Japanese aesthetic, with its minimalist composition and focus on the natural world. The use of traditional woodcut techniques adds to the print's authenticity and timeless appeal. This print serves as a reminder of the importance of preserving traditional crafts and the role they play in shaping our cultural identity. It is a testament to the enduring beauty and resilience of Japanese art and craftsmanship, which continues to inspire and captivate people around the world.

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