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Prince Charles, the Prince of Wales, made a Kainai Blood Indian Chief

Prince Charles, the Prince of Wales, made a Kainai Blood Indian Chief


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Prince Charles, the Prince of Wales, made a Kainai Blood Indian Chief

Prince Charles, the Prince of Wales, made a Kainai Blood Indian Chief, wearing Indian headdress as he talks with some of the tribe in Calgary, Alberta during his visit to Canada.
8th July 1977

Kent Gavin
Daily Mirror
Mirrorpix
Calgary
Alberta
Canada
R77 3792

Media ID 21626511

© Mirrorpix

Feathers One Man Only Overseas Traditional Dress Tribe


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> Europe > United Kingdom > Wales > Posters

> Europe > United Kingdom > Wales > Related Images

> Memory Lane Prints > Mirror > 0300to0399 > 00382

> North America > Canada > Calgary

> North America > Canada > Related Images

> People > Royalty > King Charles III


EDITORS COMMENTS
In this print captured by Kent Gavin, we witness a remarkable moment in history as Prince Charles, the Prince of Wales, assumes the role of a Kainai Blood Indian Chief. The year is 1977, and the location is Calgary, Alberta in Canada. Dressed in an exquisite Indian headdress adorned with vibrant feathers, Prince Charles engages in conversation with members of the tribe. His visit to Canada not only showcases his royal status but also highlights his deep respect for indigenous cultures and traditions. The image encapsulates the essence of cultural exchange and mutual understanding between different worlds. It serves as a testament to Prince Charles' commitment to bridging gaps and fostering unity among diverse communities. As we delve into this photograph from Memory Lane Prints, we are transported back to an era where overseas visits held great significance. The 1970s marked a turning point for North American tribes as they sought recognition and preservation of their ancestral heritage. Prince Charles' presence amidst these tribal leaders symbolizes both reverence for tradition and progress towards inclusivity. This powerful visual narrative reminds us that royalty can transcend boundaries beyond mere pomp and circumstance – it can be an instrument for positive change. Kent Gavin's skillful composition captures not just a single man donning traditional dress but also represents hope for harmonious coexistence between cultures worldwide.

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