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Italy, Val Trebbia, Spina, Detail of Dionysus from red-figure Attic krater, painted by the painter of the Niobides, 460 B. C

Italy, Val Trebbia, Spina, Detail of Dionysus from red-figure Attic krater, painted by the painter of the Niobides, 460 B. C


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Italy, Val Trebbia, Spina, Detail of Dionysus from red-figure Attic krater, painted by the painter of the Niobides, 460 B. C

Italy, Val Trebbia, Spina, Detail of Dionysus from red-figure Attic krater, painted by the painter of the Niobides, 460 B.C. 5th Century B.C. Italy, Ferrara, Museo Archeologico Nazionale (Archaeological Museum), Greek art

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Media ID 9515285

Ceramics Dionysus Greek Culture Only Men Pottery Two People Vase Waist Up Human Hand


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> Europe > Italy > Emilia-Romagna > Ferrara

> Europe > Italy > Heritage Sites > Ferrara, City of the Renaissance

> Universal Images Group (UIG) > Art > Archeology


EDITORS COMMENTS
This print takes us back in time to ancient Italy, specifically Val Trebbia in the 5th century B. C. It showcases a mesmerizing detail of Dionysus, the Greek god of wine and revelry, painted on a red-figure Attic krater. The masterful artwork was created by none other than the renowned painter of the Niobides. The image captures Dionysus from waist up, revealing intricate details that highlight his divine essence. With an aura of mystique surrounding him, he holds our gaze with his enigmatic expression. This depiction serves as a testament to the significance of religion and mythology in ancient civilizations. The horizontal composition allows us to appreciate every stroke and nuance of this exquisite piece. The human hand holding it adds a sense of connection between past and present, reminding us that art has always been an essential part of human culture. In this snapshot from history, we witness two people engaging with this remarkable artifact at the Museo Archeologico Nazionale in Ferrara. Through their eyes, we can almost feel their awe and admiration for this relic from Greek culture. This photograph not only celebrates ancient craftsmanship but also invites us to delve into the rich tapestry of history where pottery becomes more than just clay—it becomes a vessel carrying stories and traditions across centuries.

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