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Tribunal of Vicariate in Naples at time of Masaniello, particular by Carlo Coppola
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Tribunal of Vicariate in Naples at time of Masaniello, particular by Carlo Coppola
Carlo Coppola (active 1640-1660), attributed to. The tribunal of the Vicariate in Naples at the time of Masaniello. Particular
Universal Images Group (UIG) manages distribution for many leading specialist agencies worldwide
Media ID 9570195
© DEA / A. DAGLI ORTI
17th Century Authority Carriage City Life Clergy Domestic Animals Elevated View Horse Naples Traditional Clothing Transportation
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EDITORS COMMENTS
This print takes us back to 17th century Naples, Italy, during the tumultuous time of Masaniello. The image showcases the Tribunal of Vicariate, a symbol of authority and justice in this historic city. The renowned artist Carlo Coppola skillfully captures the essence of this significant institution. The scene unfolds with an elevated view, allowing us to appreciate the grandeur of both architecture and landscape. A majestic horse-drawn carriage stands before the tribunal building, signifying power and transportation at that time. Men dressed in traditional clothing gather around, representing clergy and figures of influence within society. As we explore further into the frame, we notice women gracefully moving about amidst bustling city life. Domestic animals add a touch of authenticity to this vibrant depiction of daily existence in Naples centuries ago. Carlo Coppola's attention to detail is evident as he meticulously portrays every element - from architectural intricacies to facial expressions - creating an immersive experience for viewers. This painting serves as a valuable historical document that transports us back in time while shedding light on societal structures and customs prevalent during Masaniello's era. With its rich colors and masterful composition, this vertical artwork invites contemplation on themes such as authority, Christianity, history, and cultural identity. It is a testament to Carlo Coppola's talent as an artist who captured not only physical landscapes but also intangible aspects like emotions and social dynamics through his brushstrokes
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