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Reply of the Zaporozhian Cossacks to Sultan Mehmed IV of the Ottoman Empire, 1880-91
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Reply of the Zaporozhian Cossacks to Sultan Mehmed IV of the Ottoman Empire, 1880-91
Reply of the Zaporozhian Cossacks to Sultan Mehmed IV of the Ottoman Empire, 1880-91. Oil on canvas. Ilya Repin (1844-1930) Russian artist. Political and military force from 16th century until disbanded by Russia in 18th century
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Media ID 9758929
© Universal History Archive/Universal Images Group
16th 1844 1930 18th Artist Century Cossacks Empire Force Ilya Military Ottoman Political Repin Russian Sultan Disbanded Mehmed Reply
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EDITORS COMMENTS
This print showcases Ilya Repin's masterpiece, "Reply of the Zaporozhian Cossacks to Sultan Mehmed IV of the Ottoman Empire". Painted between 1880 and 1891, this oil on canvas artwork depicts a pivotal moment in history. The Zaporozhian Cossacks, a formidable military and political force from the 16th century until their disbandment by Russia in the 18th century, defiantly respond to Sultan Mehmed IV. Repin's attention to detail and his mastery of realism historical art are evident in every brushstroke. The composition exudes power and resilience as each character is meticulously portrayed with expressive faces that convey determination and pride. The vibrant colors bring life to this significant event. The clash between these two forces is palpable through Repin's skillful depiction. This painting not only captures an important historical exchange but also serves as a testament to the unwavering spirit of resistance against oppression. Ilya Repin, a renowned Russian artist from the late 19th century, brilliantly immortalizes this momentous encounter between the Zaporozhian Cossacks and Sultan Mehmed IV. His ability to capture both emotion and historical accuracy solidifies his reputation as one of Russia's most celebrated artists. This print allows us to appreciate Repin's artistic genius while also commemorating an era when military prowess shaped political landscapes. It serves as a reminder of our collective past and invites contemplation on themes such
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