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The Unequal Marriage also called The Arranged Marriage, 1862. Oil on canvas

The Unequal Marriage also called The Arranged Marriage, 1862. Oil on canvas


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The Unequal Marriage also called The Arranged Marriage, 1862. Oil on canvas

The Unequal Marriage also called The Arranged Marriage, 1862. Oil on canvas. Wassilij Wladimirowitsch Pukirew (1832 -1890) Russian painter. Elderly high-ranking official, young, unhappy bride. Russian Orthodox priest

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Media ID 9758949

© Universal History Archive/Universal Images Group

1832 1862 Arranged Bride Elderly Genre Marriage Official Orthodox Painter Priest Russian Unhappy Young High Ranking Unequal


EDITORS COMMENTS
This print showcases Wassilij Wladimirowitsch Pukirew's masterpiece, "The Unequal Marriage" painted in 1862. The oil on canvas painting depicts a poignant scene of an arranged marriage, highlighting the stark contrast between an elderly high-ranking official and his young, visibly unhappy bride. Standing alongside them is a Russian Orthodox priest, symbolizing the traditional customs and religious significance surrounding this union. Pukirew's artistic brilliance shines through as he skillfully captures the emotions and complexities within this genre painting. The brushstrokes bring to life the palpable tension between the characters, emphasizing their contrasting ages and apparent dissatisfaction with their circumstances. "The Unequal Marriage" serves as a powerful commentary on societal expectations and power dynamics prevalent during that era. It prompts viewers to reflect upon themes of love, sacrifice, tradition, and personal agency within relationships. As we delve into this thought-provoking artwork from UIG's collection, we are transported back to 19th-century Russia – a time when arranged marriages were common practice among the elite class. Pukirew's attention to detail allows us to immerse ourselves in this historical moment while contemplating its relevance in our modern world. This print not only showcases Pukirew's exceptional talent but also invites us to ponder timeless questions about love versus duty and individual happiness within societal constraints.

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