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Hierarchy of the Church, with God at the head, the Pope below flanked by angels, kings
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Hierarchy of the Church, with God at the head, the Pope below flanked by angels, kings
Hierarchy of the Church, with God at the head, the Pope below flanked by angels, kings, priests and laity, with demons falling into the flames of Hell below. From Elias Ashmole Theatrum Chemicum Britannicum, London, 1652. Engraving
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Media ID 9767995
© Universal History Archive/Universal Images Group
1652 Angels Christian Demons Elias Falling Flames Flanked Head Hell Kings Pope Priests Theatrum Ashmole Britannicum Chemicum Hierarchy Laity
EDITORS COMMENTS
This engraving titled "Hierarchy of the Church" is a visual representation of the religious structure prevalent in 17th century England. Created by Elias Ashmole and published in his renowned work, Theatrum Chemicum Britannicum, this print showcases the divine order within Christianity. At the pinnacle of this hierarchy stands God himself, symbolizing ultimate authority and power. Just below him is the Pope, flanked by angelic figures that emphasize his spiritual significance. This positioning highlights the Pope's role as an intermediary between God and humanity. Descending further down are kings, priests, and members of the laity - each occupying their respective positions within the church's hierarchical framework. These individuals represent different levels of influence and responsibility within religious affairs. However, what truly captures attention are the demons depicted falling into flames of Hell beneath them. This imagery serves as a stark reminder that evil forces constantly threaten to disrupt this sacred order. It reinforces society's belief in divine punishment for those who stray from righteousness. Ashmole's engraving not only illustrates religious doctrine but also reflects societal norms during that era when religion played a central role in people's lives. It invites contemplation on one's place within this intricate system while emphasizing both divine protection and eternal damnation for those who deviate from it. As we gaze upon this historical artwork today, we can appreciate its artistic mastery while gaining insight into how faith shaped society centuries ago.
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