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Puritan satire in William Laud (1573 - 1645)
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Puritan satire in William Laud (1573 - 1645)
Puritan satire in William Laud (1573 - 1645), Archbishop of Canterbury from 1633, religious adviser to Charles I. Persecuted the Puritans, attempted to force Anglican liturgy on Presbyterian church in Scotland, and laid down new canons of the Laudian church
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Media ID 9692909
© Universal History Archive
17th Century Archbishop Clergy English Culture Historical Clothing Illustration Technique Only Men Satire Side By Side Text Three People Waist Up William Laud
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EDITORS COMMENTS
This print captures a moment in history when Puritan satire was directed towards William Laud, the influential Archbishop of Canterbury from 1633. In this waist-up portrait, we see three men standing side by side, their expressions revealing a mix of defiance and skepticism. Clad in historical clothing typical of the 17th century, these figures represent the clash between Christianity and religious authority during that era. Laud's role as a religious advisor to Charles I made him a target for criticism and persecution by the Puritans. His attempts to impose Anglican liturgy on Presbyterian churches in Scotland only fueled further resistance. This image highlights his controversial actions as he laid down new canons for what became known as the Laudian church. The use of satire in this illustration technique adds depth to our understanding of English culture at that time. It serves as both a visual commentary on Laud's power and an expression of dissent against his policies. Notably, all depicted individuals are men, reflecting the limited roles women played within religious institutions during this period. As we explore this thought-provoking image, it is important to note its historical significance rather than any commercial use associated with it. The photograph provides us with valuable insights into an era marked by religious conflict and societal divisions – reminding us how art can capture not just moments but also complex narratives from our past.
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