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Fascist Italy by Libero Andreotti, Private Collection, Florence
Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia
Fascist Italy by Libero Andreotti, Private Collection, Florence
Fascist Italy by Libero Andreotti, Private Collection, Florence. Florence Commemorative Equestrian Monument Nineteenth-Twenty century, 19th-20th century, Europe, First and Second Millennium A.D.. Date of Photograph:1890 ca.. Date of Artwork:1900-1933. Artist:Andreotti, Libero (1875-1933)
Brogi Giacomo, Stabilimento fotografico
BGA-F-000535-0000
Media ID 33158665
© Alinari Archives, Florence
19th 20th Century Contemporary History Subjects Fascism Female Figure Gesture Human Psychology Legs Military Helmet Soldier Thorax Abstract Concept And Symbol Headdress Civilian Parts Of The Body Type Of Representation
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EDITORS COMMENTS
This photograph captures the essence of Fascist Italy, as envisioned by the talented artist Libero Andreotti. Housed in a private collection in Florence, this print is a testament to the rich history and cultural significance of Europe during the late 19th and early 20th centuries. The image showcases an impressive equestrian monument that stands tall against the backdrop of Florence's timeless beauty. With its intricate details and grandeur, this commemorative sculpture represents both power and prestige. It serves as a reminder of Italy's historical journey throughout the first and second millennia. Andreotti skillfully incorporates various elements into his artwork to convey deeper meanings. A female figure takes center stage, her gesture suggesting communication through abstract concepts and symbols. This allegorical representation delves into human psychology, exploring themes such as strength, determination, and sacrifice. A soldier donning a military helmet stands beside her, embodying courage and dedication to duty. The contrast between their headdresses highlights different aspects of society - civilian versus military - while also touching upon fashion trends prevalent during that era. Intriguingly, Andreotti includes a male nude figure with exposed thorax and legs within this composition. This inclusion adds complexity to our understanding of fascism by intertwining physiological aspects with psychological symbolism. As we delve further into this thought-provoking piece of artistry captured by Brogi Giacomo at Stabilimento fotografico Alinari around 1890, we are transported back in time to witness firsthand one chapter in European history that shaped nations for generations to come. It invites us not only to appreciate its aesthetic value but also prompts contemplation on individual roles within contemporary societies across Europe during those transformative years.
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