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An injured man in a wooden cart, asking for alms and woman stopped to talk to him. The picture was taken in an street of Rome

An injured man in a wooden cart, asking for alms and woman stopped to talk to him. The picture was taken in an street of Rome


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An injured man in a wooden cart, asking for alms and woman stopped to talk to him. The picture was taken in an street of Rome

An injured man in a wooden cart, asking for alms and woman stopped to talk to him. The picture was taken in an street of Rome. Rome. Date of Photograph:1900-1910 ca

Brogi
BGA-F-023069-0000

Media ID 33171197

© Alinari Archives, Florence

Baby Carriage Cage Handicapped Kerchief Masculine Person And Social Status Tradional Wheel Wood By Land Headdress Civilian On The Road Society And Politics Vegetal Element Or Composition


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EDITORS COMMENTS
This photograph, taken in the bustling streets of Rome around 1900-1910, transports us to a bygone era filled with stories untold. In the center of the frame sits an injured man, his weary face etched with pain and hardship. Perched upon a wooden cart that serves as both his shelter and plea for compassion, he reaches out to passersby in search of alms. Amidst this scene of societal contrasts emerges a ray of hope – a woman adorned in traditional attire pauses her hurried steps to engage with the destitute man. Her feminine grace is juxtaposed against the masculine ruggedness surrounding them. Dressed in clothing that speaks volumes about her cultural heritage, she exudes empathy and kindness as she stoops down to converse with him. The intricate details captured by Brogi's lens allow us to delve deeper into this snapshot frozen in time. The man's hat lies beside him, perhaps discarded temporarily while he seeks solace from strangers' generosity. A kerchief tied around his head hints at potential military or civilian background, adding another layer to his story. Intriguingly positioned nearby is a baby carriage - symbolizing life's continuous cycle amidst adversity. This juxtaposition highlights society's complex fabric where joy and suffering coexist side by side. The composition itself reveals elements of nature intertwined within urbanity; wheels turning on cobblestone streets framed by lush vegetation peeking through cracks in walls – reminding us that even amidst concrete jungles, nature finds its way. Brogi’s photograph transcends time and space; it captures not only physical objects but also emotions woven into every thread of society’s tapestry. It invites reflection on social status, politics, and our collective responsibility towards those less fortunate than ourselves. As we gaze upon this poignant image from Alinari's collection let it serve as a reminder that acts of compassion can bridge divides between individuals, and that even in the darkest corners of society, a glimmer of

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