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Madonna and Child, sculpted by Gian Lorenzo Bernini and displayed at Palazzo Spada, Rome

Madonna and Child, sculpted by Gian Lorenzo Bernini and displayed at Palazzo Spada, Rome


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Madonna and Child, sculpted by Gian Lorenzo Bernini and displayed at Palazzo Spada, Rome

Madonna and Child, sculpted by Gian Lorenzo Bernini and displayed at Palazzo Spada, Rome Rome Palazzo Spada Sculpture Baroque, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1920 ca.. Date of Artwork:1630-1680 ca.. Artist:Bernini Gian Lorenzo (1598-1680)

Anderson
ADA-F-005707-0000

Media ID 33143428

© Alinari Archives, Florence

Emotional Bond Human Psychology Jesus Christ Christ Child Life And Representations Of The Virgin Madonna And Child Pyschological Behavior Subject


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> Arts > Art Movements > Baroque

> Arts > Art Movements > Renaissance Art

> Arts > Artists > B > Gian Lorenzo Bernini

> Baroque paintings

> Historic > Historical fashion trends > Baroque fashion trends

> Historic > Historical fashion trends > Renaissance fashion trends

> Historic > Renaissance art > Baroque art > Renaissance paintings

> Historic > Renaissance art > Baroque art

> Historic > Renaissance art > Renaissance sculpture

> Historic > Renaissance art


EDITORS COMMENTS
This photograph captures the timeless beauty of Gian Lorenzo Bernini's masterpiece, "Madonna and Child" displayed at Palazzo Spada in Rome. The sculpture, created between 1630-1680, showcases Bernini's exceptional talent in capturing emotion and psychological behavior through his art. The image transports us back to the early 20th century when it was captured by Anderson from Alinari. It offers a glimpse into the past while highlighting the enduring significance of this iconic artwork. The Madonna and Child are depicted with such tenderness that one can almost feel their emotional bond radiating from the print. Dressed in exquisite period costumes, both figures exude grace and elegance. Their clothing reflects the fashion of ancient Baroque Europe, adding an extra layer of historical depth to this already remarkable piece. As we study this photograph closely, we are reminded of the profound influence religious subjects had on Renaissance-Baroque art. The representation of Virgin Mary with baby Jesus holds immense symbolic value within Christian theology. Beyond its spiritual significance, however, this artwork also speaks to our shared humanity. Through physiological and psychological aspects expertly rendered by Bernini's skilled hands, we witness a mother's love for her child transcending time itself. This print serves as a testament to how art has evolved over centuries while still resonating deeply with viewers today. It reminds us that great works endure not only because they capture moments frozen in time but also because they tap into universal emotions that transcend cultural boundaries. In conclusion, Anderson's evocative photograph immortalizes Bernini's "Madonna and Child" sculpture at Palazzo Spada in Rome—a true masterpiece that continues to captivate audiences worldwide with its powerful portrayal of human psychology and emotional connection across generations.

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