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Marble pulpit by Antonio Maria Aprile and Giovanni Angelo Molinari, at the Cathedral in Savona
Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia
Marble pulpit by Antonio Maria Aprile and Giovanni Angelo Molinari, at the Cathedral in Savona
Marble pulpit by Antonio Maria Aprile and Giovanni Angelo Molinari, at the Cathedral in Savona. Savona Cathedral Pulpit High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1900 ca.. Date of Artwork:1522. Artist:Aprile Antonio Maria (active 1520-1535), Molinari, Giovanni Angelo
Brogi Giacomo, Stabilimento fotografico
BGA-F-012250-0000
Media ID 33167644
© Alinari Archives, Florence
Acanthushigh Renaissance Harpy Herbaceous Hybrid Figure Literature And Fiction Low Relief Stairs Veil Greco Roman Headdress Civilian
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EDITORS COMMENTS
This photograph captures the exquisite beauty of the Marble pulpit by Antonio Maria Aprile and Giovanni Angelo Molinari, located at the Cathedral in Savona. The pulpit, a masterpiece of High Renaissance art, showcases an amalgamation of Renaissance-Baroque styles and periods. Dating back to 1522, this remarkable artwork is a testament to the skill and craftsmanship of its creators. Aprile Antonio Maria and Molinari Giovanni Angelo have left their indelible mark on European art history through this stunning piece. The photograph itself was taken around 1900 by Brogi Giacomo from Stabilimento fotografico Alinari. It perfectly captures every intricate detail of the pulpit, showcasing its grandeur against a backdrop that hints at centuries-old architecture. As we gaze upon this image, we are transported back in time to an era where religious devotion intertwined with artistic expression. The stairs leading up to the pulpit invite us to ascend into a world where angels come alive through stone figures. A veil delicately drapes over one figure's headdress while military accessories adorn another - symbolizing both civilian life and warfare. Mythological creatures such as harpies emerge from low relief sculptures amidst herbaceous plants, adding an air of mystique to this already enchanting scene. This fusion of Greco-Roman influences within a Renaissance context further emphasizes Europe's rich cultural heritage during the first and second millenniums AD. In conclusion, this mesmerizing photograph immortalizes not only Aprile Antonio Maria and Molinari Giovanni Angelo's artistic brilliance but also serves as a visual reminder of our shared human history. It invites us to appreciate the intricate details that make up our architectural past while marveling at how art can transcend time itself.
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