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Partial view of the Hachiman Temple of Kamakura. Seated on the stairs of the temple are the photographer Felice Beato and the painter and correspondent of the "Illustrated London News", Charles Wirgman
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Partial view of the Hachiman Temple of Kamakura. Seated on the stairs of the temple are the photographer Felice Beato and the painter and correspondent of the "Illustrated London News", Charles Wirgman
Partial view of the Hachiman Temple of Kamakura. Seated on the stairs of the temple are the photographer Felice Beato and the painter and correspondent of the "Illustrated London News", Charles Wirgman. Japan Kamakura, Hachiman Temple. Date of Photograph:1863-1877
Unidentified Author
AVQ-A-000887-0037
Media ID 33295277
© Alinari Archives, Florence
Asiatic Populations Ethnic Faithful Japonese Landscape Wooded Areas Non Christian Religions Painter Painting Photographer Photography Stairs Staircase Temple The Grand Tour Thematic Searches Tourist Trips And Tourism Wood Applied Arts And Crafts Ethnography And Folklore Population And Nationality View Of The Country With Action
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EDITORS COMMENTS
AVQ-A-000887-0037: Partial view of the Hachiman Temple of Kamakura, captured between 1863 and 1877. This print transports us back in time to witness a remarkable moment at the temple's majestic staircase. In this historical snapshot, we find two influential figures seated on the steps - renowned photographer Felice Beato and Charles Wirgman, an esteemed painter and correspondent for the prestigious "Illustrated London News". Dressed in traditional attire that reflects their deep appreciation for Japanese culture, Beato and Wirgman exude an air of curiosity as they immerse themselves in this sacred space. The intricate wooden structure of the staircase serves as a testament to Japan's rich heritage in applied arts and crafts. As our gaze extends beyond these notable personalities, we are greeted by a breathtaking landscape enveloped by lush wooded areas. The towering trees stand tall, offering shade to both locals and tourists who visit this revered religious site seeking solace or simply admiring its architectural marvels. This photograph not only captures a street scene but also provides valuable insights into non-Christian religions prevalent during that era. It offers glimpses into the lives of faithful individuals engaging with their spiritual beliefs amidst nature's beauty. The image resonates with anthropological significance as it showcases aspects of Japanese culture such as fashion choices, ethnic diversity among Asiatic populations, and national identity. It invites us to embark on a visual journey through time while shedding light on themes like tourism, ethnography folklore—the essence of what is known as 'the grand tour. ' Though credited to an unidentified author from Alinari—whose name may be lost to history—the power behind this photograph lies within its ability to transport us across continents and centuries; allowing us to appreciate cultural exchange through artistry lens.
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