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Piet, sculpture by Giacomo Cozzarelli, collocated in the Church of the Osservanza, in the environs of Siena
Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia
Piet, sculpture by Giacomo Cozzarelli, collocated in the Church of the Osservanza, in the environs of Siena
Piet, sculpture by Giacomo Cozzarelli, collocated in the Church of the Osservanza, in the environs of Siena. Siena Church of the Osservanza Sculptural Group High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1915-1920 ca.. Date of Artwork:1473-1515 ca.. Artist:Cozzarelli, Giacomo
Brogi
BGA-F-013402-0000
Media ID 33168815
© Alinari Archives, Florence
Cross Crying Functions And Treatments For The Body Instrument Or Object Jesus Christ Christ Child Life Of Christ Malehigh Renaissance Pain Virgin Mary Headdress Civilian Subject
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EDITORS COMMENTS
This photograph captures the essence of "Piet" a remarkable sculpture created by Giacomo Cozzarelli. The artwork is beautifully displayed in the Church of the Osservanza, nestled amidst the picturesque environs of Siena, Italy. Dating back to the High Renaissance period, this sculpture showcases Cozzarelli's mastery in blending various artistic styles such as Renaissance and Renaissance-Baroque. Its creation falls within the timeframe of 1473-1515 AD, making it an invaluable piece from Europe's rich cultural heritage. The subject matter depicted in "Piet" evokes deep emotions and contemplation. A person stands before a cross with tears streaming down their face, symbolizing pain and suffering. The presence of Virgin Mary adds a religious context to this poignant scene from Christ's life. The attention to detail is evident in every aspect captured by Brogi's lens - from the headdress worn by the figure (possibly civilian or military) to their fashion choices that reflect both contemporary trends and religious customs. Notably, this photograph also highlights Cozzarelli's skillful representation of nudity and human anatomy prevalent during the High Renaissance era. It offers viewers an opportunity to explore both physiological and psychological aspects associated with individuals portrayed during that time. Moreover, through its composition, lighting, and texture captured on film between 1915-1920 AD. , Brogi successfully conveys a sense of timelessness inherent in this masterpiece. As we admire this print courtesy of Alinari archives today, let us appreciate how art transcends centuries while continuing to evoke powerful emotions within our souls.
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