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Post mortem portrait of the bandit Antonio Mulas
Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia
Post mortem portrait of the bandit Antonio Mulas
Post mortem portrait of the bandit Antonio Mulas Oliena. Date of Photograph:08/02/1899
Unidentified Author
FVQ-F-152310-0000
Media ID 33300877
© Alinari Archives, Florence
Armed Forces And Military Life Armor Arms Brigand Brigandism Death History Of Contemporary Nations Homicide Italy Military Equipment Missile Of A Negative Event Of A Social Phenomenon Person And Social Status Populations Post Humous Rifle Shell Territories Society And Politics
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EDITORS COMMENTS
This photo print, titled "FVQ-F-152310-0000" offers a haunting glimpse into the life and death of the notorious bandit Antonio Mulas. Taken on August 2nd, 1899, this post mortem portrait captures the essence of a man whose existence was defined by violence and rebellion. In this image, we see Mulas portrayed in striking detail. His rugged features tell tales of a life marked by hardship and struggle. The photographer skillfully captures his malevolent gaze, hinting at the psychological complexities that drove him to a life of crime. Surrounded by rifles, arms, armor, and military equipment, it becomes evident that Mulas was not just an ordinary brigand but someone who posed a significant threat to society. This photograph serves as evidence of his demise—a poignant reminder of the consequences faced by those who choose such paths. Beyond its historical significance within Italy's social and political landscape at that time, this image also delves into broader themes surrounding individuality and social status. It prompts us to reflect on how societal factors can shape one's destiny—pushing individuals towards acts they may have never imagined committing. Moreover, this print invites contemplation about the nature of mortality itself—the physiological aspects tied to aging and ultimately death. As viewers engage with this posthumous portrait over time, they are reminded both of their own fleeting existence and humanity's collective history. Through its composition and subject matter encompassing elements like missiles shells—an allusion to violent events—this photograph transcends mere documentation; it becomes an artistic representation capturing an era filled with turmoil while shedding light on Italy's contemporary nations' histories. Authored anonymously by Alinari—a name synonymous with photographic excellence—this profound image compels us to ponder our place in history while simultaneously honoring Antonio Mulas' complex legacy as both outlaw and victim alike.
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