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Canvas Print : Post mortem portrait of the bandit Antonio Mulas
Canvas Prints from Fondazione Alinari per la Fotografia
Post mortem portrait of the bandit Antonio Mulas
Post mortem portrait of the bandit Antonio Mulas Oliena. Date of Photograph:08/02/1899
Unidentified Author
FVQ-F-152310-0000
Media ID 33300877
© Alinari Archives, Florence
Armed Forces And Military Life Armor Arms Brigand Brigandism Death History Of Contemporary Nations Homicide Italy Military Equipment Missile Of A Negative Event Of A Social Phenomenon Person And Social Status Populations Post Humous Rifle Shell Territories Society And Politics
20"x16" (51x41cm) Canvas Print
Introducing the Media Storehouse Canvas Print of the hauntingly captivating post mortem portrait of Antonio Mulas, the notorious bandit of Oliena. This rare and intriguing image, taken on February 8, 1899 by an unidentified author from Alinari, is now available in stunning canvas form. Each print is meticulously crafted using high-quality materials and vibrant colors, ensuring a museum-quality finish. Bring the mysterious allure of this historical figure into your home or office and start a conversation with this unique piece of art. Order now and add a touch of history to your space.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 40.6cm x 50.8cm (16" x 20")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This photo print, titled "FVQ-F-152310-0000" offers a haunting glimpse into the life and death of the notorious bandit Antonio Mulas. Taken on August 2nd, 1899, this post mortem portrait captures the essence of a man whose existence was defined by violence and rebellion. In this image, we see Mulas portrayed in striking detail. His rugged features tell tales of a life marked by hardship and struggle. The photographer skillfully captures his malevolent gaze, hinting at the psychological complexities that drove him to a life of crime. Surrounded by rifles, arms, armor, and military equipment, it becomes evident that Mulas was not just an ordinary brigand but someone who posed a significant threat to society. This photograph serves as evidence of his demise—a poignant reminder of the consequences faced by those who choose such paths. Beyond its historical significance within Italy's social and political landscape at that time, this image also delves into broader themes surrounding individuality and social status. It prompts us to reflect on how societal factors can shape one's destiny—pushing individuals towards acts they may have never imagined committing. Moreover, this print invites contemplation about the nature of mortality itself—the physiological aspects tied to aging and ultimately death. As viewers engage with this posthumous portrait over time, they are reminded both of their own fleeting existence and humanity's collective history. Through its composition and subject matter encompassing elements like missiles shells—an allusion to violent events—this photograph transcends mere documentation; it becomes an artistic representation capturing an era filled with turmoil while shedding light on Italy's contemporary nations' histories. Authored anonymously by Alinari—a name synonymous with photographic excellence—this profound image compels us to ponder our place in history while simultaneously honoring Antonio Mulas' complex legacy as both outlaw and victim alike.
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