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Sculptural group depicting the Piet, by Guido Mazzoni, in the church of Santa Anna dei Lombardi or church of Monteoliveto, Naples

Sculptural group depicting the Piet, by Guido Mazzoni, in the church of Santa Anna dei Lombardi or church of Monteoliveto, Naples


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Sculptural group depicting the Piet, by Guido Mazzoni, in the church of Santa Anna dei Lombardi or church of Monteoliveto, Naples

Sculptural group depicting the Piet, by Guido Mazzoni, in the church of Santa Anna dei Lombardi or church of Monteoliveto, Naples Naples Church of Santa Anna dei Lombardi or church of Monteoliveto Sculptural Group Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1920-1930 ca.. Date of Artwork:1492. Artist:Mazzoni, Guido

Alinari, Fratelli
ACA-F-033493-0000

Media ID 33132709

© Alinari Archives, Florence

Death Desperation Evangelist Human Psychology Jesus Christ Christ Child John Joseph Of Arimathea Life Of Christ Nicodemus Other Important Men Pyschological Behavior Virgin Mary Abstract Concept And Symbol Concept Or Subject Expressed Subject


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EDITORS COMMENTS
This photograph captures a remarkable sculptural group depicting the Piet, created by Guido Mazzoni in 1492. The artwork is housed within the magnificent church of Santa Anna dei Lombardi or church of Monteoliveto in Naples, Italy. The sculpture showcases an array of emotions and symbolic elements that delve into the depths of human psychology and spirituality. It portrays the allegory of death, desperation, and psychological behavior through its abstract concept and symbolization. At the center stands Virgin Mary, her face etched with grief as she cradles the lifeless body of Jesus Christ in her arms. Surrounding them are various figures including evangelist Nicodemus, Joseph of Arimathea, and other important men from biblical accounts who played significant roles during Christ's crucifixion. Through this sculptural group, Mazzoni masterfully expresses both physiological and psychological aspects tied to individual experiences within Renaissance Europe. The scene depicted here represents a pivotal moment in Christian history - capturing the sorrowful aftermath following Christ's crucifixion. With meticulous attention to detail characteristic of early Renaissance artistry, Mazzoni skillfully brings forth each figure's unique expression conveying their emotional turmoil. This powerful representation serves as a visual testament to faith while simultaneously exploring profound themes surrounding life and death. The timeless nature of this artwork is further emphasized by Alinari Fratelli's photography dating back to around 1920-1930 AD. Their lens expertly captures every intricate detail allowing viewers today to appreciate Mazzoni's masterpiece just as it was intended centuries ago. This print offers us an opportunity to reflect on our own spiritual journeys while marveling at the enduring impact that art can have across generations.

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