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Nicodemus Collection

"Nicodemus: A Journey of Faith and Compassion" In the biblical narrative, Nicodemus is known for his encounter with Jesus, a moment that would forever transform his life

Background imageNicodemus Collection: Jesus and Nicodemus

Jesus and Nicodemus
Jesus meets and talks with Nicodemus at night

Background imageNicodemus Collection: New Testament: Nicodemus (colour litho)

New Testament: Nicodemus (colour litho)
8658770 New Testament: Nicodemus (colour litho) by Copping, Harold (1863-1932); Private Collection; (add.info.: Nicodemus)

Background imageNicodemus Collection: Jesus and Nicodemus (colour litho)

Jesus and Nicodemus (colour litho)
8667583 Jesus and Nicodemus (colour litho) by Schnorr von Carolsfeld, Julius (1794-1872) (after); Private Collection; (add.info.: Jesus and Nicodemus)

Background imageNicodemus Collection: 8625897

8625897

Background imageNicodemus Collection: The Lamentation, 16th century. Creator: Unknown

The Lamentation, 16th century. Creator: Unknown
The Lamentation, 16th century

Background imageNicodemus Collection: Deposition, 1775. Creator: Valentine Green

Deposition, 1775. Creator: Valentine Green
Deposition, 1775

Background imageNicodemus Collection: Entombment of Christ with Joseph of Arimathea and Nicodemus, Mary Magdalene

Entombment of Christ with Joseph of Arimathea and Nicodemus, Mary Magdalene, the Virgin and Saint Jo Creator: Anon
Entombment of Christ with Joseph of Arimathea and Nicodemus, Mary Magdalene, the Virgin and Saint John the Evangelist, c.1550-c.1600

Background imageNicodemus Collection: The Deposition and the Entombment, c.1290. Creator: Anon

The Deposition and the Entombment, c.1290. Creator: Anon
The Deposition and the Entombment, c.1290

Background imageNicodemus Collection: Christ and Nicodemus: A Night Piece, 1626/74. Creator: Pieter de Jode II

Christ and Nicodemus: A Night Piece, 1626/74. Creator: Pieter de Jode II
Christ and Nicodemus: A Night Piece, 1626/74

Background imageNicodemus Collection: The Entombment, c. 1655. Creator: Cornelis de Visscher

The Entombment, c. 1655. Creator: Cornelis de Visscher
The Entombment, c. 1655

Background imageNicodemus Collection: Freso by Gaudenzio Ferrari entitled Deposition from the Cross

Freso by Gaudenzio Ferrari entitled Deposition from the Cross, in the Church of Sant'Ambrogio in Milan Milan Mural Painting Renaissance, Renaissance-Baroque styles and periods, Europe

Background imageNicodemus Collection: Detail of the terra cotta group of the 'Lamentation over the dead Christ' by Niccol dell'Arca

Detail of the terra cotta group of the "Lamentation over the dead Christ" by Niccol dell'Arca, in the Sanctuary of Santa Maria della Vita in Bologna Bologna Sanctuary of Santa Maria

Background imageNicodemus Collection: Piet; painting by Beato Angelico. Alte Pinakothek, Munich

Piet; painting by Beato Angelico. Alte Pinakothek, Munich Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2002

Background imageNicodemus Collection: Deposition from the Cross, a masterpiece of Romanesque wooden sculpture from the middle of

Deposition from the Cross, a masterpiece of Romanesque wooden sculpture from the middle of the 13th century, in the Cathedral of Volterra Volterra Cathedral, transept Sculptural Group Romanesque

Background imageNicodemus Collection: Bandini Piety by Michelangelo Buonarroti. The sculpture was originally located in the Cathedral of

Bandini Piety by Michelangelo Buonarroti. The sculpture was originally located in the Cathedral of Santa Maria del Fiore, now preserved in the Museum of the Works of the Cathedral, Florence

Background imageNicodemus Collection: The Deposition of Christ. Wooden polychrome sculpture positioned in Volterra Cathedral

The Deposition of Christ. Wooden polychrome sculpture positioned in Volterra Cathedral, in the province of Pisa, in Tuscany Volterra Cathedral Sculptural Group Romanesque, Middle Ages, Europe

Background imageNicodemus Collection: Sculptural group depicting the Piet, by Guido Mazzoni, in the church of Santa Anna dei Lombardi or

Sculptural group depicting the Piet, by Guido Mazzoni, in the church of Santa Anna dei Lombardi or church of Monteoliveto

Background imageNicodemus Collection: The Deposition of Christ. Tapestry, believed to be of Flemish manufacture

The Deposition of Christ. Tapestry, believed to be of Flemish manufacture, woven after a drawing by Niccol di Pietro, in St. Mark's Museum in Venice Venice St

Background imageNicodemus Collection: Lamentation over the Dead Christ, polychrome terracotta, Niccol dell'Arca (1435-1494)

Lamentation over the Dead Christ, polychrome terracotta, Niccol dell'Arca (1435-1494), Church of Santa Maria della Vita in Bologna Bologna Church of Santa Maria della Vita Sculptural Group Early

Background imageNicodemus Collection: Pieta, sculpture by Baccio Bandinelli, in the Basilica of the Santissima Annunziata, Florence

Pieta, sculpture by Baccio Bandinelli, in the Basilica of the Santissima Annunziata, Florence, Tuscany Florence Basilica of the Santissima Annunziata Monument High Renaissance, Renaissance

Background imageNicodemus Collection: Detail of the Pieta Bandini, head of Nicodemus, by Michelangelo

Detail of the Pieta Bandini, head of Nicodemus, by Michelangelo, in the Museo dell'Opera del Duomo, Florence Florence Sculptural Group High Renaissance, Renaissance

Background imageNicodemus Collection: Detail of the Piet Bandini, by Michelangelo, in the Museo dell'Opera del Duomo, in Florence

Detail of the Piet Bandini, by Michelangelo, in the Museo dell'Opera del Duomo, in Florence Florence Sculptural Group High Renaissance, Renaissance, Renaissance-Baroque styles and periods

Background imageNicodemus Collection: Piet, marble group by Ippolito Scalza, in Orvieto cathedral

Piet, marble group by Ippolito Scalza, in Orvieto cathedral Orvieto Cathedral Sculptural Group High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

Background imageNicodemus Collection: Burial of Christ from the Christ. Sculpted work of the French School preserved in the Louvre

Burial of Christ from the Christ. Sculpted work of the French School preserved in the Louvre Museum, Paris France Paris, Louvre Musuem Sculptural Group Gothic, Middle Ages, Europe

Background imageNicodemus Collection: Compassion: wooden group from the XV century in the Civic Museum of Novara

Compassion: wooden group from the XV century in the Civic Museum of Novara Novara Civic Musem Sculptural Group Renaissance, Renaissance-Baroque styles and periods, Europe

Background imageNicodemus Collection: Tapestry depicting the burial of Christ, Flemish work preserved in the Louvre Museum, Paris

Tapestry depicting the burial of Christ, Flemish work preserved in the Louvre Museum, Paris France Paris, Louvre Musuem Tapestry Early Renaissance, Renaissance

Background imageNicodemus Collection: Lamentation over the Dead Christ, detail, glazed earthenware, Guido Mazzoni (1450-1518)

Lamentation over the Dead Christ, detail, glazed earthenware, Guido Mazzoni (1450-1518), Church of Sant'Anna dei Lombardi called Santa Maria di Monteoliveto, Naples Naples Church of S

Background imageNicodemus Collection: ACA-F-016846-0000

ACA-F-016846-0000
Tapestry with the Crucifixtion in the Pinacoteca Comunale in Forl Forl Piancoteca Comunale Tapestry Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

Background imageNicodemus Collection: Pieta, sculpture by Antonio Begarelli, in the Church of San Pietro, Modena

Pieta, sculpture by Antonio Begarelli, in the Church of San Pietro, Modena Modena Church of San Pietro Sculptural Group High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

Background imageNicodemus Collection: The Deposition of Christ, sculpture by Antonio Begarelli, in the Church of Sant'Agostino, Modena

The Deposition of Christ, sculpture by Antonio Begarelli, in the Church of Sant'Agostino, Modena Modena Church of Sant'Agostino Sculptural Group High Renaissance, Renaissance

Background imageNicodemus Collection: Piet Bandini, marble, Michelangelo Buonarroti (1475-1564), Museo dell'Opera del Duomo of Santa

Piet Bandini, marble, Michelangelo Buonarroti (1475-1564), Museo dell'Opera del Duomo of Santa Maria del Fiore, Florence Florence Museo dell'Opera del Duomo of Santa Maria del Fiore

Background imageNicodemus Collection: Entombment sculpture, Eglise Saint-Jean-Baptiste, Chaource

Entombment sculpture, Eglise Saint-Jean-Baptiste, Chaource
Entombment, or Holy Sepulchre, sculptural group, 1515, by the Master of Chaource, made for the sepulchral chapel of Nicolas de Monstier and Jacqueline de Laignes

Background imageNicodemus Collection: The Descent From The Cross

The Descent From The Cross
This oil painting is a biblical depiction of the Deposition of Christ, inspired from the Gospels accounts of Joseph of Arimathea and Nicodemus taking Christ down from the cross after his crucifixion

Background imageNicodemus Collection: Calvary of Hio. Galicia. Spain

Calvary of Hio. Galicia. Spain
Calvary of Hio. 1872. Carved by Master Cervino. Depicts the Descent from the Cross. Galicia. Spain

Background imageNicodemus Collection: Pieta with the Madonna, St John the Baptist, St Mary Magdalen and Nicodemus (fresco)

Pieta with the Madonna, St John the Baptist, St Mary Magdalen and Nicodemus (fresco)
868154 Pieta with the Madonna, St John the Baptist, St Mary Magdalen and Nicodemus (fresco) by Cortona, Pietro da (Berrettini) (1596-1669); Vatican Museums and Galleries

Background imageNicodemus Collection: Lament over the Dead Christ, c. 1473-76 (oil on panel)

Lament over the Dead Christ, c. 1473-76 (oil on panel)
701308 Lament over the Dead Christ, c.1473-76 (oil on panel) by Bellini, Giovanni (c.1430-1516); 107x84 cm; Vatican Museums and Galleries

Background imageNicodemus Collection: Lamentation (oil on panel)

Lamentation (oil on panel)
489904 Lamentation (oil on panel) by Master of the Legend of St. Lucy (fl.1475-1505); 123.5x81.4 cm; Groeningemuseum, Bruges, Belgium; © Art in Flanders

Background imageNicodemus Collection: Lamentation (oil on panel)

Lamentation (oil on panel)
490226 Lamentation (oil on panel) by Master of the Legend of St. Lucy (fl.1475-1505); 81.4x123.5 cm; Groeningemuseum, Bruges, Belgium; © Art in Flanders

Background imageNicodemus Collection: Descent from the Cross, c. 1491-1519 (oil on panel)

Descent from the Cross, c. 1491-1519 (oil on panel)
490301 Descent from the Cross, c.1491-1519 (oil on panel) by Memling, Hans (c.1433-94) (after); 53.8x39 cm; Groeningemuseum, Bruges, Belgium; (add.info.: The reverse of this diptych shows St)

Background imageNicodemus Collection: Descent from the Cross, c. 1612-14 (oil on panel)

Descent from the Cross, c. 1612-14 (oil on panel)
715412 Descent from the Cross, c.1612-14 (oil on panel) by Rubens, Peter Paul (1577-1640); Onze Lieve Vrouwkerk, Antwerp Cathedral, Belgium

Background imageNicodemus Collection: Nicodemus Visits Jesus, chromolithograph, published ca. 1880

Nicodemus Visits Jesus, chromolithograph, published ca. 1880
Nicodemus visits Jesus at night (John 3, 1 - 21). Chromolithograph after a drawing (1860) by Julius Schnorr von Carolsfeld (German painter, 1794 - 1872), published ca. 1880

Background imageNicodemus Collection: The Entombment and the swoon of the Virgin (stone)

The Entombment and the swoon of the Virgin (stone)
CLG279640 The Entombment and the swoon of the Virgin (stone) by Richier, Ligier (c.1500-67); St. Etienne, Saint-Mihiel, France; (add.info)

Background imageNicodemus Collection: Passion Triptych, the Descent from the Cross, right panel (oil on panel) (see also 345855, 345856)

Passion Triptych, the Descent from the Cross, right panel (oil on panel) (see also 345855, 345856, 345857)
REV345858 Passion Triptych, the Descent from the Cross, right panel (oil on panel) (see also 345855, 345856, 345857) by Goes, Hugo van der (c.1440-82) (studio of); Museo diocesano de Arte Sacro

Background imageNicodemus Collection: Entombment, from a facsimile of the Breviary of King Philip II of Spain, 1569 (parchment)

Entombment, from a facsimile of the Breviary of King Philip II of Spain, 1569 (parchment)
REV326684 Entombment, from a facsimile of the Breviary of King Philip II of Spain, 1569 (parchment) by Fuente del Saz, Julian (d.1601) & Leon

Background imageNicodemus Collection: The Entombment (oil on canvas)

The Entombment (oil on canvas)
XIR426205 The Entombment (oil on canvas) by Orsi da Novellara, Lelio (1511-87); Musee des Beaux-Arts, Nimes, France; (add.info.: Tomb setting; )

Background imageNicodemus Collection: The Entombment (tapestry)

The Entombment (tapestry)
CHT174602 The Entombment (tapestry) by French School; Private Collection; © Archives Charmet

Background imageNicodemus Collection: Pieta of Saint-Germain-des-Pres (tempera on panel)

Pieta of Saint-Germain-des-Pres (tempera on panel)
XIR161149 Pieta of Saint-Germain-des-Pres (tempera on panel) by Master of the Pieta of Saint Germain (fl.1490-95); 91.3x198.5 cm; Louvre, Paris, France

Background imageNicodemus Collection: The Deposition (oil on canvas)

The Deposition (oil on canvas)
XIR91075 The Deposition (oil on canvas) by Ribera, Jusepe de (lo Spagnoletto) (1591-1652); 127x182 cm; Louvre, Paris, France



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"Nicodemus: A Journey of Faith and Compassion" In the biblical narrative, Nicodemus is known for his encounter with Jesus, a moment that would forever transform his life. This meeting between Jesus and Nicodemus has inspired countless artists throughout history to depict this profound interaction in various forms. One such representation can be found in the entombment sculpture at Eglise Saint-Jean-Baptiste in Chaource. Here, we witness Nicodemus alongside other figures as they lay Jesus' body to rest after the crucifixion. The agony and grief are palpable, reminding us of the immense sacrifice made by Christ. Another poignant portrayal is seen in "The Descent From The Cross, " where Nicodemus stands among those who carefully lower Jesus from the cross. His expression reflects both sorrow and reverence for this sacred act, highlighting his role as a devoted follower. In Calvary of Hio, Galicia, Spain, we find yet another depiction featuring Nicodemus. In this scene, he joins Mary Magdalene and St. John the Baptist as they mourn over Christ's lifeless body. Their collective anguish serves as a powerful reminder of the impact Jesus had on their lives. A fresco titled "Pieta with Madonna" showcases Nicodemus once again alongside other significant figures like St. Mary Magdalen and St. John the Baptist. Together they surround Mary holding her son's lifeless body – an image that evokes deep emotions of loss but also hope through faith. "Lament over the Dead Christ" captures a moment frozen in time - Nicodemus gazing upon Jesus' lifeless form with utmost tenderness and compassion painted delicately on panel by an unknown artist during 1473-76 period. Jesus instructing Nicodemus is depicted in another artwork where their conversation takes center stage; it symbolizes not only knowledge-seeking but also spiritual growth through dialogue between teacher and disciple.