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Sodoma's drawing-study for the Piet with fainting Madonna, at the Uffizi Gallery in Florence

Sodoma's drawing-study for the Piet with fainting Madonna, at the Uffizi Gallery in Florence


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Sodoma's drawing-study for the Piet with fainting Madonna, at the Uffizi Gallery in Florence

Sodoma's drawing-study for the Piet with fainting Madonna, at the Uffizi Gallery in Florence. Florence The Uffizi Gallery Drawing Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1890 ca.. Date of Artwork:1500-1549 ca.. Artist:Sodoma, Giovanni Antonio Bazzi, known as

Brogi Giacomo, Stabilimento fotografico
BGA-F-001144-0000

Media ID 33158811

© Alinari Archives, Florence

Functions And Treatments For The Body Life Of Christ Pain Virgin Mary Subject


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Baroque

> Arts > Artists > B > Giacomo Brogi

> Arts > Artists > S > Giovanni Antonio Bazzi Sodoma

> Arts > Realistic drawings > Still life artwork > Life drawings

> Arts > Realistic drawings > Still life drawings > Life drawings

> Baroque paintings

> Historic > Renaissance art > Baroque art > Renaissance paintings

> Historic > Renaissance art > Baroque art

> Historical artwork


EDITORS COMMENTS
This print captures Sodoma's drawing-study for the Piet with fainting Madonna, housed in the prestigious Uffizi Gallery in Florence. The artwork itself dates back to the Renaissance period, specifically between 1500 and 1549. Created by Giovanni Antonio Bazzi, also known as Sodoma, this masterpiece showcases his exceptional talent and skill. The image beautifully portrays the pain and anguish of the Virgin Mary as she cradles her lifeless son, Jesus Christ. It delves into both physiological and psychological aspects of human suffering, making it a profound representation of biblical narratives from the New Testament. Brogi Giacomo's photographic expertise shines through in this photograph taken around 1890. Through his lens, he captures every intricate detail of Sodoma's drawing-study with remarkable clarity and precision. This allows viewers to appreciate not only the subject matter but also the delicate brushwork and meticulous attention to anatomical accuracy that characterizes Renaissance art. The Uffizi Gallery itself is renowned for its extensive collection of artworks spanning various styles and periods throughout Europe's first and second millenniums A. D. This particular piece exemplifies both Renaissance-Baroque styles prevalent during that era. As we gaze upon this print today, we are transported back in time to witness an extraordinary fusion of artistic brilliance and religious devotion. It serves as a testament to humanity's enduring fascination with exploring themes such as pain, faith, motherhood, and salvation through visual expression.

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