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Wall paintings in the tomb of the functionary Nakht; in the center of the wall is a representation of a false-door stele in which the deceased and his wife are visible with eight male and two female figures providing the offerings needed by the dead in the afterworld

Wall paintings in the tomb of the functionary Nakht; in the center of the wall is a representation of a false-door stele in which the deceased and his wife are visible with eight male and two female figures providing the offerings needed by the dead in the afterworld


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Wall paintings in the tomb of the functionary Nakht; in the center of the wall is a representation of a false-door stele in which the deceased and his wife are visible with eight male and two female figures providing the offerings needed by the dead in the afterworld

Wall paintings in the tomb of the functionary Nakht; in the center of the wall is a representation of a false-door stele in which the deceased and his wife are visible with eight male and two female figures providing the offerings needed by the dead in the afterworld. Egypt Mural Painting Eighteenth Dynasty, New Kingdom, Egypt - Egyptian Art, Africa, Ancient Civilization. Date of Photograph:1880 ca.. Date of Artwork:1390 a.C. ca

Beato Antonio
FVQ-F-030510-0000

Media ID 33287747

© Alinari Archives, Florence

Africa Commemorative Inscription New Kingdom Offering Stele Abstract Concept And Symbol Concept Or Subject Expressed


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> Arts > Artists > B > Antonio Beato


EDITORS COMMENTS
This photograph captures the intricate wall paintings found in the tomb of Nakht, a prominent functionary during Egypt's Eighteenth Dynasty. The focal point of this mural is a false-door stele, prominently displayed in the center of the wall. Through this artistic representation, we catch a glimpse into the afterworld and witness Nakht and his wife standing beside it. Surrounding them are eight male figures and two female figures, gracefully depicted as they provide offerings essential for Nakht's journey through the afterlife. This scene beautifully showcases ancient Egyptian beliefs regarding life beyond death and their dedication to ensuring that deceased individuals had all they needed for eternity. The artwork itself dates back to approximately 1390 BC, belonging to Egypt's New Kingdom period. Its vibrant colors have been preserved remarkably well over time, allowing us to appreciate its beauty even today. Each brushstroke reveals an incredible attention to detail and precision that was characteristic of Egyptian art during this era. Beyond its aesthetic appeal, this mural serves as an allegory for human existence and our desire for immortality. The false-door stele acts as a commemorative structure or architectural element symbolizing communication between the living world and the realm of spirits. Photographed by Beato Antonio around 1880 AD, this image not only preserves history but also highlights how ancient civilizations expressed complex concepts through art forms such as murals. It provides us with valuable insights into Egypt's rich cultural heritage while reminding us of humanity's enduring fascination with life after death.

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