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Canvas Print > Europe > France > Paris > La Vie Parisienne (The Parisian Life)

Canvas Print : 30586536

30586536



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30586536

The Advertising Archives specialise in vintage illustrations including adverts, posters and magazine covers

Media ID 20630202


20"x16" (51x41cm) Canvas Print

Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.

Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang

Estimated Image Size (if not cropped) is 36cm x 50.8cm (14.2" x 20")

Estimated Product Size is 40.6cm x 50.8cm (16" x 20")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Contemporary art

> Arts > Pop art > Contemporary art > Contemporary art gallery

> Arts > Pop art > Contemporary art > Fine art gallery

> Europe > France > Paris > La Vie Parisienne (The Parisian Life)


VISUAL DESCRIPTION
This vintage cover of "La Vie Parisienne" from March 18, 1916, captures the essence of early twentieth-century French glamour and whimsy. The illustration depicts a poised young woman in an elegant blue dress with ruffled hemlines, seated nonchalantly on a striped settee. She dons a top hat adorned with flowers and feathers that adds to her theatrical charm. Her posture is relaxed yet confident; one hand rests on her knee while the other holds what appears to be an aluminum ring ("LA BAGUE D'ALUMINIUM"), possibly hinting at contemporary fashion or social commentary of the era. The artwork exudes a playful spirit synonymous with the magazine's reputation for showcasing Parisian lifestyle, culture, and fashion.

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AD: BICYCLES, 1898. Advertisement for Acatene bicycles. Lithograph by Lucien Baylac

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