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Canvas Print : L Infanterie Francaise en Egypte, or Le General l Asne converted to Ibrahim Bey

L Infanterie Francaise en Egypte, or Le General l Asne converted to Ibrahim Bey



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L Infanterie Francaise en Egypte, or Le General l Asne converted to Ibrahim Bey

1275084 L Infanterie Francaise en Egypte, or Le General l Asne converted to Ibrahim Bey, published by Hannah Humphrey in 1799 (hand-coloured etching) by Gillray, James (1757-1815); Private Collection; (add.info.: The French Infantry in Egypt; Napoleon Bonaparte (1769-1821) leading the Egyptian campaign; ); The Stapleton Collection; English, out of copyright

Media ID 23023106

© The Stapleton Collection / Bridgeman Images

Absurd Bayonet Ceremonial Dress Commands Converted Foolish Inspecting Lannes Marechal Marshal Mockery Mocking Napoleonic North African Orders Political Satire Propaganda Revolutionaries Ridiculous Tricolour Braying


20"x16" (51x41cm) Canvas Print

Bring history to life with Media Storehouse's Canvas Prints featuring the captivating image of "L Infanterie Francaise en Egypte, or Le General l Asne converted to Ibrahim Bey" by James Gillray. This exquisite hand-coloured etching, published by Hannah Humphrey in 1799, showcases the intriguing transformation of General Claude-Charles de Malet de Watrigant into Ibrahim Bey in Egypt. Our high-quality canvas prints are meticulously crafted to bring out the rich details and vibrant colours of this iconic work from Bridgeman Images. Elevate your home or office décor with this stunning piece of historical art.

Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.

Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang

Estimated Product Size is 50.8cm x 40.6cm (20" x 16")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Africa > Egypt > Related Images

> Africa > Related Images

> Animals > Farm > Donkeys > Related Images

> Arts > Artists > G > James Gillray

> Arts > Artists > L > Laisne Laisne

> Arts > Pop art > Satire > Satirical artwork

> Europe > France > Canton > Aisne

> Europe > France > Military

> Humour > Cartoon

> Humour > Postcard

> Fine Art Finder > Artists > Henri de Toulouse-Lautrec

> Fine Art Finder > Artists > James Gillray

> Fine Art Finder > Cartoons, Caricatures & Humour


EDITORS COMMENTS
The print titled "L Infanterie Francaise en Egypte, or Le General l Asne converted to Ibrahim Bey" captures a moment of both foolishness and political satire during the French campaign in Egypt. Published by Hannah Humphrey in 1799, this hand-coloured etching by James Gillray showcases Napoleon Bonaparte leading his troops in North Africa. In this comical portrayal, Napoleon is depicted as a donkey named Ibrahim Bey, dressed in ceremonial Egyptian attire. The image serves as propaganda, mocking the French army's absurdity and highlighting their questionable decisions during the campaign. The soldiers surrounding Napoleon are shown braying like donkeys while carrying bayonets. Gillray's satirical cartoon not only ridicules the military uniform but also mocks the commanding officers for their perceived incompetence. General Lannes can be seen inspecting his troops with an air of mockery while Marshal General L'Aisne stands nearby. This caricature reflects the political climate of its time, where revolutionaries were questioning France's involvement in foreign wars and criticizing Napoleon's leadership abilities. By converting Napoleon into a donkey and portraying him alongside soldiers who resemble animals rather than disciplined troops, Gillray delivers a scathing commentary on war and politics. The print from Fine Art Finder provides us with an intriguing glimpse into historical satire that continues to resonate today. It reminds us of the power art holds to challenge authority and provoke thought through visual storytelling.

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