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Canvas Print : Study for Leaning Against the Pillars... plate 32 from Jerusalem
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Study for Leaning Against the Pillars... plate 32 from Jerusalem
XCF290935 Study for Leaning Against the Pillars... plate 32 from Jerusalem, 1804-20 (pen and w/c on paper) by Blake, William (1757-1827); Private Collection; English, out of copyright
Media ID 18254815
© Private Collection / Bridgeman Images
20"x16" (51x41cm) Canvas Print
Breathe new life into your living space with a stunning Media Storehouse Canvas Print of "Study for Leaning Against the Pillars... plate 32 from Jerusalem" by William Blake. This exquisite artwork, originally created as a pen and watercolor on paper in 1804-20, is part of the Fine Art Finder collection from Bridgeman Images. Featuring the intricate and expressive details of Blake's masterpiece, our high-quality canvas prints are sure to captivate and inspire. Experience the timeless beauty of this out-of-copyright English art piece in your home or office, and elevate your decor with a true work of art.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 40.6cm x 50.8cm (16" x 20")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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This print titled "Study for Leaning Against the Pillars. . . plate 32 from Jerusalem" by William Blake takes us on a poetic journey through time. The image, created between 1804 and 1820, showcases Blake's mastery of pen and watercolor on paper. In this piece, we are transported to a world where ethereal beauty meets architectural grandeur. A nude female figure leans gracefully against towering pillars within the confines of a cathedral. Her presence exudes both vulnerability and strength as she becomes one with her surroundings. Blake's illustration is not merely an ode to physical form but also a celebration of the power of imagination. Through his brushstrokes, he invites us into a realm where reality intertwines with dreams and visions. It is as if the very essence of poetry has been captured in visual form. The artist's romantic sensibilities shine through in every delicate stroke, evoking emotions that transcend time and place. This study serves as a testament to Blake's ability to transport viewers into realms beyond their own reality. As we gaze upon this mesmerizing artwork, we are reminded that art has the power to ignite our imaginations and inspire us to see beyond what is visible. It reminds us that even within cathedrals made of stone, there exists an intangible magic waiting to be discovered by those who dare to look closer.
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