Plate 2 Collection

(Amaryllis) Vittata Formosa, 1839 (watercolour drawing)
986034 (Amaryllis) Vittata Formosa, 1839 (watercolour drawing) by Rosenberg, Mary Elizabeth (1820-1914); 44.5x34.5 cm; Private Collection; (add.info.: Plate 2, A)

Phasianus Soemmeringh (Temminck), 1855 (colour litho)
1272401 Phasianus Soemmeringh (Temminck), 1855 (colour litho) by American School, (19th century); Free Library of Philadelphia; (add.info.: Hitchcock, W.E. Phila)

Ms. 2597 King Rene dreams: The God of Love steals from him his Heart without him Knowing
STC141230 Ms. 2597 King Rene dreams: The God of Love steals from him his Heart without him Knowing and gives it to Desire

An Earthenware Workshop, illustration from the Encyclopedie
CHT202899 An Earthenware Workshop, illustration from the Encyclopedie by Denis Diderot (1713-84) engraved by Robert Benard (b)

Robinson Crusoe frontispiece illustration showing Crusoe taking leave of his
3614718 A Robinson CrusoeA frontispiece illustration showing Crusoe taking leave of his Father and Mother. From A" The Life and Strange Surprising Adventures of Robinson Crusoe, or York

The Times, Plate 2 (engraving)
2905791 The Times, Plate 2 (engraving) by Hogarth, William (1697-1764) (after); Private Collection; (add.info.: The Times, Plate 2)

Mounted huntsman watching a pack of hounds digging for hares
6337427 Mounted huntsman watching a pack of hounds digging for hares by Howitt, Samuel (1756-1822) (after); (add.info.: Mounted huntsman watching a pack of hounds digging for hares)

Les Deux Avanturiers et le Talisman, c. 1755-1759 (engraving)
986134 Les Deux Avanturiers et le Talisman, c.1755-1759 (engraving) by Oudry, Jean-Baptiste (1686-1755) (after); Private Collection; (add.info.: Les Deux Avanturiers et le Talisman; Fable CCII)

Alchemical symbols, 18th century C013 / 5276
Alchemical symbols. 18th-century listing of characters and symbols used by alchemists to represent chemicals, elements, and other objects and processes

View West Temple Minerva Polias Pandrosium antiquities
A View of the West End of the Temple of Minerva Polias, and of the Pandrosium, The antiquities of Athens, Newton, W. Stuart, James, 1713-1788, Engraving, 1762-1816, Plate 2

Baptism Banyans Ceremonies et coutumes religieuses
Baptism Among the Banyans, Ceremonies et coutumes religieuses de tous les peuples du monde, Picart, Bernard, 1673-1733, Engraving, 1723-1743, Plate 2 follows p. 24

Plate 2 Tin Beschreibung einer ungemein grossen
Plate 2: Tin, Beschreibung einer ungemein grossen Elektrisier-Maschine und der damit im Teylerschen Museum zu Haarlem angestelten Versuche, Eschenbach, H.C.W. Marum, M

Tavola II 11 Delle antichita di Ercolano Baiardi
Tavola II. 11, Delle antichita di Ercolano, Baiardi, Ottavio Antonio, 1694-1764, Engraving, c. 1757-1792, Plate 2, from volume 2, page 11. This is not an overall view of page 11

Plate 2 Tables anatomiques avec les pourtraicts
Plate 2, Tables anatomiques, avec les pourtraicts et declaration d iceulx: ensemble un denombrement de cinq cens maladies diverses, Gaultier, Leonard, 1561-1641, Guillemeau, Jacques, 1550

Denominated Five Brothers Tumuli Antiquities
Denominated The Five Brothers, Tumuli, Denominated The Five Brothers, Antiquities of Kertch, and researches in the Cimmerian Bosphorus, Kell, C. F. McPherson, Duncan, d

Porta Pinciana ot Collatina Delle magnificenze
Porta Pinciana ot. Collatina, Delle magnificenze di Roma antica e moderna, Vasi, Giuseppe, 1710-1782, Engraving, 1747-1761, plate 2, volume 1, facing page 8

Plate 2 depicting lacquer equipment Trattato sopra
Plate 2 depicting lacquer making equipment, Trattato sopra la vernice detta comunemente cinese: in risposta data all ill, ustrissimo. sig

Plate 2 Tratado instructivo y practico sobre el
Plate 2, Tratado instructivo, y practico, sobre el arte de la tintura: reglas experimentadas y metodicas para tintar sedas, lanas, hilos de todas clases, y esparto en rama, Fernandez, Luis

Plate 2 Descripcion historica cronologica
Plate 2, Descripcion historica y cronologica de las dos piedras que con ocasion del nuevo empedrado que se esta formando en la plaza principal de Mexico, se hallaron en ella el ano de 1790

published le Charivari no du 21 avril 1848 Artists
published in le Charivari (no du 21 avril 1848): The Artists, plate 2: You must model me in this manner one day, 1848. Honore Daumier (French, 1808-1879)

published le Charivari no du 29 mai 1845 Pastorales
published in le Charivari (no du 29 mai 1845): Pastorales, plate 2: The Hazards of shaking a plum tree too vigorously (when one is a grown man), 1845. Honore Daumier (French, 1808-1879)

Suite de Paysages Landscape Plate 2 Remarque
Suite de Paysages: Landscape, Plate 2, Remarque, Starflowers, 1892-1893. Charles Marie Dulac (French, 1865-1898), Printer: Bellefond (per colophon). Color lithograph

Archetypes Studies emerge keeping cavernous promise
Archetypes and Studies: What can emerge in keeping with such a cavernous promise? (Part IV, plate 2), 1592. Joris Hoefnagel (Flemish, 1542-1601), after Jacob Hoefnagel (Flemish, 1575-c.1630)

Suite Vases Plate 2 1746 Jacques Francois Saly
Suite of Vases: Plate 2, 1746. Jacques Francois Saly (French, 1717-1776). Etching

Liber Studiorum Plate 2 View Clifton 1838 John Sell Cotman
Liber Studiorum: Plate 2, View of Clifton, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet

Mascarade a la Grecque La Vivandiere a la Grecque
Mascarade a la Grecque: La Vivandiere a la Grecque (Plate 2), 1771. Benigno Bossi (Italian, 1727-1792), Ennemond-Alexander Petitot (French, 1727-1792). Etching

Theobroma cacao, cocoa tree
Watercolour on paper by Evelyn M. Woolward (fl.1880-90s). Held in the Library and Archives

AM170720 084582
8, AM170720 084582

Plate 2 Bust bust female wearing diadem top left
Artokoloro

Plate 2 Design Frieze Felines holding up Garland
Artokoloro

Neptune Decorative Frame Grotesques Judgment
Artokoloro

AM170720 083508
8, AM170720 083508

Drawings Prints, Print, Triumph Riches, Cycle, Vicissitudes, Human, Affairs, plate 2
Drawings and Prints, Print, The Triumph of the Riches, from The Cycle of the Vicissitudes of Human Affairs, plate 2, The Cycle of the Vicissitudes of Human Affairs, Artist, Publisher, After

AM170720 084632
8, AM170720 084632

Design Plate Thetis Shell Medallion Bordered
Artokoloro

Bridge Cows Liber Studiorum part I plate 2 June 11
Artokoloro

Plate 2 cartouche child back left front right
Artokoloro

Plate 2 cannon left town background Various Military Caprices
Artokoloro

AM170720 084621
8, AM170720 084621

Amnon Violating Tamar Story Amnon Tamar 1540
Artokoloro

Jesus confronting detractors 1625-77 Etching
Artokoloro

Reverse copy Chaudronier Chaudronier Boilermaker Boilermaker
Artokoloro

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"Plate 2: A Journey through Time and Artistic Splendor" Disembarkation, engraved by Deroi and Leon Jean Baptiste Sabatier (fl. 1827-87) pub. By Engelmann, c. 1835 (litho). Step ashore into a world of exquisite engravings that capture the essence of an era. (Baptiste Sabatier (fl. 1827-87) pub. C. 1835 (litho) (later colouration)). Witness the transformation as vibrant colors breathe new life into timeless lithographs. ( (Amaryllis) Vittata Formosa, 1839 (watercolor drawing)). Delicate brushstrokes bring forth the beauty of nature in this enchanting watercolor masterpiece. Detailed plan of main facade of vestibule and central part of apse of St Peter's Basilica, engraving from Vatican and St Peter's Basilica, 1882, by Paul Marie Letarouilly (1795-1855), Volume I, St Peter's Basilica, Plate 2). Explore the architectural wonders of St Peter's Basilica through intricate engravings that reveal its grandeur. (Phasianus Soemmeringh (Temminck), 1855 (colour litho)). Behold the vivid plumage and regal presence captured in this stunning color lithograph featuring Phasianus Soemmeringh. (Ms. 2597 King Rene dreams: The God of Love steals from him his Heart without him Knowing). Immerse yourself in a tale spun on parchment as you delve into Ms. 2597 - King Rene's dream where love takes an unexpected turn. (An Earthenware Workshop, illustration from the Encyclopedie'). Peer into a bustling workshop where skilled hands mold clay into works of art under the watchful eye of an illustrator capturing the essence of craftsmanship.