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Canvas Print : Cutting the Ashen Fagots; Devonshire, 1854. Creator: Edmund Evans

Cutting the Ashen Fagots; Devonshire, 1854. Creator: Edmund Evans



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Cutting the Ashen Fagots; Devonshire, 1854. Creator: Edmund Evans

Cutting the Ashen Fagots; Devonshire, 1854. Old English Christmas tradition. A faggot (large log or a bundle of ash sticks) is bound with nine green lengths of ash bands or beams, preferably all from the same tree. The faggot must be burnt in a hearth on Christmas Eve, while people sing Christmas carols. The ash is said to be the only wood that will burn green, and it is the policy of the wood-cutters to lay as many "binds" upon the fagot as possible, as it is an old established custom that every "bind" should represent a jug of cider, not that this is the limitation of quantity consumed on the occasion, only that this is part the ceremonial. A hot supper is usually provided, and the wives and children of the labourers and servants, together with the farmer and his family form a jocund party, and there is no end of good solid cheer and hearty enjoyment, which lasts far into the Christmas morning'. From "Illustrated London News", 1854

Heritage Images features heritage image collections

Media ID 36246169

© The Print Collector/Heritage Images

Annual Bundle Christmas Christmas Eve Edmund Evans Edmund William Evans Evans Edmund Evans Edmund William Faggot Fagot Firewood Gate Pitchfork Tools Tradition Typical Way In Five Bar Gate


20"x16" (51x41cm) Canvas Print

Bring the charm of historical traditions into your home with our Media Storehouse Canvas Prints. This captivating image, titled "Cutting the Ashen Fagots; Devonshire, 1854," by Edmund Evans, showcases an old English Christmas custom. Witness the artistry of binding a large log or bundle of ash sticks with nine green lengths of ash bands, creating a beautiful and symbolic faggot. Our high-quality canvas prints are not just a decorative addition to your space, they are a conversation starter and a reminder of the rich history and traditions that continue to inspire us. Order now and let this timeless piece of art enhance the character of your living room or office.

Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.

Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang

Estimated Product Size is 50.8cm x 40.6cm (20" x 16")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > W > William White

> Arts > Landscape paintings > Rural countryside paintings > Nature art

> Arts > Still life artwork > Still life art > Nature-inspired artwork

> Arts > Still life artwork > Nature-inspired art

> Arts > Portraits > Still life artwork > Nature-inspired artwork

> Europe > United Kingdom > England > London > Towns > Wood Green

> Popular Themes > Religious Images

> Special Days > Christmas > Carols

> Special Days > Christmas > Christmas Trees

> Special Days > Christmas > Related Images


EDITORS COMMENTS
This photograph, titled "Cutting the Ashen Fagots; Devonshire, 1854," offers a glimpse into an Old English Christmas tradition that has been passed down through generations. The image showcases a group of people gathered around a large bundle of ashen fagots, bound with nine green lengths of ash bands or "beams." According to the text from "Illustrated London News," the faggot, which could be a large log or a bundle of ash sticks, must be burnt in a hearth on Christmas Eve while people sing Christmas carols. The significance of the ash wood lies in its unique property to burn green, making it an essential component of this age-old custom. The wood-cutters would lay as many "binds" upon the fagot as possible, each representing a jug of cider. However, this was not a limitation on the quantity consumed on the occasion, but rather a part of the ceremonial tradition. The scene depicted in this photograph is filled with warmth and merriment. A hot supper is prepared, and the wives and children of the laborers and servants, along with the farmer and his family, come together to form a jovial party. The evening is filled with good solid cheer and hearty enjoyment, which lasts far into the Christmas morning. Edmund Evans, the creator of this photograph, captured the essence of this Old English Christmas tradition in this single image. The image not only showcases the significance of the ashen fagots but also the communal spirit and joy that surrounds the celebration of Christmas in rural England during the mid-19th century.

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