Canvas Print : Anne Dacier - 2
Canvas Prints from Mary Evans Picture Library
Anne Dacier - 2
ANNE DACIER, nee Lefevre French classical scholar, wife of Andre Dacier of the Academie Francaise (to which of course she could not be elected, being a woman) Date: 1654 - 1720
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14301460
© Mary Evans Picture Library
1654 1720 Academie Andre Anne Course Elected Francaise Lefevre Scholar Dacier
20"x16" (51x41cm) Canvas Print
Bring the elegance and sophistication of the French Baroque era into your home with our exquisite Canvas Print of Anne Dacier, a renowned French classical scholar. This stunning artwork, sourced from Mary Evans Prints Online, showcases Anne Dacier, nee Lefevre, in her portrait painted around 1680. As a wife of Andre Dacier, a prominent member of the Academie Francaise, Anne's intellectual brilliance and refined beauty shine through in this captivating piece. Our high-quality Canvas Prints are meticulously crafted to bring out the rich details and vibrant colors of the original artwork, making it a perfect addition to any room in your home or office. Elevate your decor with a touch of history and timeless elegance.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 40.6cm x 50.8cm (16" x 20")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
In this striking portrait, Anne Dacier, née Lefèvre (1654-1720), a renowned French classical scholar, is depicted with an air of intelligence and refinement. Born into a noble family, Anne was educated in the humanities and became an expert in Greek and Latin literature. She married André Dacier, a fellow scholar and member of the prestigious Académie Française, in 1678. Despite her exceptional scholarly achievements, Anne was denied the opportunity to join the Académie Française herself due to her gender. This was a common limitation in the 17th century, as women were not allowed to hold membership in the institution. Nevertheless, Anne continued to make significant contributions to the field of classical studies through her collaborations with her husband and their publication of annotated editions of ancient texts. Anne's most notable work was her defense of the authenticity of the "Iliad" against the criticisms of the scholar Thomas Hobbes. Her groundbreaking study, "Remarques sur l'Iliade" (1690), challenged Hobbes' theories and established her reputation as a formidable scholar. Her work was widely acclaimed, and she was recognized as a leading authority on Homer and the ancient Greeks. In this portrait, Anne is shown wearing a simple yet elegant gown, her hands resting on a book, symbolizing her dedication to learning. Her gaze is focused, conveying her deep concentration and intellectual curiosity. The portrait captures the essence of Anne's remarkable intellect and her unwavering commitment to the study of classical literature, despite the barriers she faced as a woman in a male-dominated field.
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