Canvas Print : Michael Wolgemuth - 2
Canvas Prints from Mary Evans Picture Library
Michael Wolgemuth - 2
MICHAEL WOLGEMUTH German artist, master of Albrecht Durer Date: 1434 - 1519
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14109344
© Mary Evans Picture Library
1434 1519 Albrecht Durer Master Michael Wolgemuth
20"x16" (51x41cm) Canvas Print
Bring the timeless beauty of art into your home with our exquisite Canvas Prints from the Media Storehouse range. Featuring the masterpiece "Michael Wolgemuth - 2" by German artist Michael Wolgemuth (1434-1519), this stunning print is available through Mary Evans Prints Online. With vibrant colors and high-quality detail, each canvas print is meticulously crafted to bring out the rich textures and intricacies of the original artwork. Elevate your decor and add a touch of history to your living space with this magnificent piece of art.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 40.6cm x 50.8cm (16" x 20")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print showcases the masterful artistry of Michael Wolgemuth (1434-1519), a renowned German artist and a devoted disciple of Albrecht Dürer. Born in Nuremberg, Wolgemuth was deeply influenced by the works of his esteemed mentor, and his own oeuvre reflects the same meticulous attention to detail and profound exploration of human emotion that characterized Dürer's art. In this particular print, Wolgemuth demonstrates his exceptional skill in capturing the intricacies of the human form. The figure, depicted in three-quarter view, is rendered with an almost uncanny sense of realism, from the delicate folds of the clothing to the expressive lines of the face. The use of chiaroscuro, or the contrast between light and dark, adds depth and dimension to the image, further emphasizing the figure's three-dimensionality. Wolgemuth's connection to Dürer is evident in the print's composition and style. The figure's pose and the use of a simple, uncluttered background are reminiscent of Dürer's works, such as his famous self-portrait. However, Wolgemuth also brings his own unique perspective to the table, infusing the image with a sense of quiet introspection and contemplation that sets it apart from his mentor's works. This print is a testament to Wolgemuth's artistic prowess and his enduring legacy as a master of German art. His dedication to the study of the human form and his commitment to pushing the boundaries of printmaking techniques paved the way for future generations of artists, making his work a vital contribution to the artistic canon.
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