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Canvas Print : Scenes of the Eastern Cape (Kaffraria), South Africa, 1820

Scenes of the Eastern Cape (Kaffraria), South Africa, 1820



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Scenes of the Eastern Cape (Kaffraria), South Africa, 1820

Nguni or Bantu (Kaffir) warrior hunting antelope with spears 55, forsaking a woman drowning in a river 56, and worshipping an anchor from an East India ship 57. Handcoloured copperplate engraving from Rev. Isaac Taylors Scenes in Africa for the Amusement and Instruction of Little Tarry-at-Home Travelers, Harris and Son, London, 1820

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 23391538

© Florilegius

1820 Africans Algeria Algiers Amusement Barbary Bombardment Cape Exmouth Hawking Instruction Isaac Prayer Shipwreck Tarry Taylor Kaffraria


30"x20" (76x51cm) Canvas Print

Discover the rich history and culture of the Eastern Cape, South Africa with our stunning Canvas Prints from Media Storehouse, featuring exclusive images from Mary Evans Picture Library. These captivating prints showcase three intriguing scenes from the 1820s: a Nguni or Bantu (Kaffir) warrior in the midst of a hunt, forsaking a woman in distress as he pursues his prey (image 55); a heart-wrenching moment as a woman drowns in a river, overlooked by her community (image 56); and an intriguing ritual as the people of the region pay homage to an anchor from an East India ship (image 57). Bring the history and beauty of the Eastern Cape into your home with these beautiful, high-quality Canvas Prints.

Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.

Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang

Estimated Product Size is 50.8cm x 76.2cm (20" x 30")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Africa > Algeria > Algiers

> Africa > Algeria > Related Images

> Africa > Related Images

> Africa > South Africa > Related Images

> Animals > Mammals > Bovidae > Royal Antelope

> Arts > Artists > T > Isaac Taylor

> Arts > Landscape paintings > Waterfall and river artworks > River artworks

> Asia > India > Related Images

> Europe > United Kingdom > England > London > Related Images

> Europe > United Kingdom > England > London > Royalty

> Mary Evans Prints Online > New Images August 2021


EDITORS COMMENTS
This handcoloured copperplate engraving, titled 'Scenes in Africa' and published by Harris and Son in London in 1820, offers a glimpse into the diverse and intriguing world of the Eastern Cape (Kaffraria) in South Africa during the early 19th century. The three distinct scenes depicted in this print reflect the complex and multifaceted nature of life in this region. In the first scene, a Nguni or Bantu (Kaffir) warrior is shown in the act of hunting antelope with a group of companions. Armed with spears, they are intently focused on their prey, a testament to their skill and survival instincts. The vibrant colours and dynamic poses of the hunters convey the excitement and energy of the chase. The second scene presents a poignant and contrasting image. A woman, likely a member of the same community, is shown struggling in the waters of a river. Despite the urgency of the situation, the warrior in the first scene, and others, have turned away, seemingly unable or unwilling to help. This scene raises questions about the priorities and values of the community and the role of gender in their society. The third scene offers a glimpse into the religious practices of the people of the Eastern Cape. A group of Africans are shown gathered around an anchor from an East India ship, a symbol of the influence of European trade and exploration on the region. They are shown in a posture of prayer, suggesting that the anchor has taken on a spiritual significance for them. These scenes offer a fascinating window into the complex and nuanced world of the Eastern Cape during the early 19th century, a time of significant cultural exchange and transformation. The print also serves as a reminder of the rich and complex history of the region, which continues to shape the cultural and social landscape of South Africa today.

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