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Canvas Print : Tomb of Absalom and entrance to the Cave of Jehosophat
Canvas Prints from Mary Evans Picture Library
Tomb of Absalom and entrance to the Cave of Jehosophat
Tomb of Absalom or Absaloms Pillar and entrance to the Cave of Jehosophat, 1800s. Sepolcri di Assalonne e di Giosofat. Handcoloured copperplate engraving by Carocci after Giulio Ferrario in his Costumes Ancient and Modern of the Peoples of the World, Il Costume Antico e Moderno, Florence, 1833. Copied from Luigi Mayers Views in Egypt, Palestine and Other Parts of the Ottoman Empire, 1804
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Media ID 23384928
© Florilegius
Absalom Antico Cave Ferrario Giulio Israel Kidron Luigi Mayer Moderno Palestine Parts Peoples Tomb Ottoman Tombe
30"x20" (76x51cm) Canvas Print
Bring the ancient world into your modern home with our exquisite Canvas Prints from Media Storehouse. This captivating image, featuring the Tomb of Absalom and the entrance to the Cave of Jehosophat from Mary Evans Picture Library, is a handcoloured copperplate engraving by Carocci after Giulio Ferrario. Transport yourself back in time with this intricately detailed and vibrant representation of biblical history. Our high-quality canvas prints are sure to become cherished works of art in any space, adding a touch of history and culture to your décor.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 76.2cm x 50.8cm (30" x 20")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This hand-colored copperplate engraving, created by Carocci after Giulio Ferrario's "Costumes Ancient and Modern of the Peoples of the World," published in Florence in 1833, portrays the Tomb of Absalom and the entrance to the Cave of Jehosophat in the Kidron Valley, located in the Holy Land. The image, copied from Luigi Mayer's "Views in Egypt, Palestine and Other Parts of the Ottoman Empire," published in 1804, offers a glimpse into the rich history and biblical significance of this intriguing site. The Tomb of Absalom, also known as Absalom's Pillar, is depicted on the left side of the image. According to the Old Testament, Absalom, the third son of King David, was a rebellious prince who sought to usurp the throne. After his death in battle, his body was left hanging in a tree for a day as a sign of public disgrace. His loyal followers then gathered his body and buried it in a magnificent tomb, which is believed to be the structure shown in the engraving. On the right side of the image, the entrance to the Cave of Jehosophat is depicted. This cave is mentioned in the Old Testament as the place where King Jehoshaphat and his army hid from their enemies during a battle. The cave is also believed to be the site where the prophet Elijah performed a miraculous act of dividing the Jordan River, allowing Jehoshaphat and his army to cross safely. The intricate details of the engraving, from the ornate pillars of the tomb to the winding path leading to the cave entrance, transport us back in time to a place of biblical significance and historical importance. This image offers a unique glimpse into the past, providing a window into the rich history and culture of the Holy Land during the Ottoman Empire era.
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