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Canvas Print : Marquess of Bristol leaves St Marys hospital claiming he is only suffering
Resolution may be poor at this size (60 DPI)
Canvas Prints from Memory Lane
Marquess of Bristol leaves St Marys hospital claiming he is only suffering
Marquess of Bristol leaves St Marys hospital claiming he is only suffering from Pneumonia not AIDS
February 1995
Bass Russell
mirrorpix
Hertfordshire
United Kingdom
WA*104323
Media ID 21383474
© Mirrorpix
Aristocracy Court Drugs Nobility Nobles Peer Peerage Society Trials
30"x20" (76x51cm) Canvas Print
Step into the realm of captivating history with our exquisite Canvas Print by Bass Russell from Memory Lane Prints. This powerful image captures the Marquess of Bristol leaving St. Mary's Hospital in February 1995, asserting that he is merely suffering from pneumonia, not AIDS. The textured canvas brings the photograph to life, creating a stunning piece that is as intriguing as it is timeless. Hang this evocative print in your home or office to ignite conversations and add depth to your space.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 50.8cm x 76.2cm (20" x 30")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
In this intriguing print captured by Bass Russell in February 1995, we witness the Marquess of Bristol leaving St Mary's hospital amidst a cloud of controversy and speculation. The image portrays an aristocratic figure, emblematic of the nobility and peerage that once dominated society. The Marquess is seen striding confidently, his expression betraying a mix of defiance and vulnerability. His departure from the hospital sparks immediate intrigue as he claims to be suffering solely from pneumonia rather than AIDS—a statement that raises eyebrows and fuels whispers within court circles. This snapshot encapsulates a pivotal moment in the 1990s when societal norms clashed with personal struggles. It serves as a reminder that even those born into privilege are not immune to trials and tribulations, including battles with addiction or disease. Bass Russell's photograph offers us a glimpse into the complex world inhabited by aristocrats—where power, wealth, scandals, and secrets intertwine. As viewers delve deeper into this image, they are left pondering questions about identity, reputation management, and the delicate balance between public perception and private truths. Through its historical context rooted in both opulence and fragility, this evocative print invites contemplation on themes such as social hierarchies, drug use among elites during that era (though not explicitly mentioned), legal proceedings surrounding noble figures—all while reminding us of our shared humanity beneath titles or positions held.
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