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Canvas Print : MME Wellington Koo sitting for her portrait to Mr Edmund Dulac at his studio, 117

MME Wellington Koo sitting for her portrait to Mr Edmund Dulac at his studio, 117



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MME Wellington Koo sitting for her portrait to Mr Edmund Dulac at his studio, 117

MME Wellington Koo sitting for her portrait to Mr Edmund Dulac at his studio, 117 Ladbroke Road
19 August 1921
Hui-lan Oei was the daughter of Chinese businessman Oei Tiong Ham. Her marriage to Chinese diplomat and politician Vi Kyuin Wellington Koo, was announced in November 1920 whilst Wellington Koo was Chinese Minister to the United States. In early 1921, Vi Kyuin Wellington Koo was appointed the Chinese Minister to Great Britain and they lived in London until June 1946, though they divorced shortly after the Second World War

TopFoto independent historic photographs and images all subjects and eras

Media ID 11004676

© TopFoto.co.uk

Artist Alfieri Europeana Sitter


20"x16" (51x41cm) Canvas Print

"Step into the past with our exquisite Media Storehouse Canvas Print of "MME Wellington Koo sitting for her portrait to Mr Edmund Dulac at his studio, 117 Ladbroke Road," an enchanting photograph by Alfieri from TopFoto. Taken on August 19, 1921, this captivating image features Hui-lan Oei, the daughter of Chinese businessman Oei Tiong Ham, as she poses gracefully for her portrait session. Each canvas print is meticulously crafted with premium materials, ensuring a stunning and vibrant finish that brings the history and elegance of this extraordinary moment to life in your home or office. Order yours today and add a touch of timeless beauty to your space."

Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.

Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang

Estimated Product Size is 50.8cm x 40.6cm (20" x 16")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > Related Images

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Portraits

> Arts > Street art graffiti > Portraits > Fine art

> Europe > United Kingdom > England > London > Fashion

> Europe > United Kingdom > England > London > Related Images

> Europe > United Kingdom > England > London > Towns > Ham

> TopFoto > 1920s

> TopFoto > Fashionistas


EDITORS COMMENTS
This print captures a moment in history as MME Wellington Koo sits for her portrait by the renowned artist, Mr Edmund Dulac. Taken on August 19,1921, at his studio located at 117 Ladbroke Road, this image exudes an air of elegance and sophistication. MME Wellington Koo, formerly known as Hui-lan Oei, was the daughter of Chinese businessman Oei Tiong Ham. Her marriage to Chinese diplomat and politician Vi Kyuin Wellington Koo was announced in November 1920 while he served as the Chinese Minister to the United States. Shortly after their wedding, Vi Kyuin Wellington Koo was appointed as the Chinese Minister to Great Britain in early 1921. The couple resided in London until June 1946 but unfortunately divorced shortly after World War II. Despite their personal struggles, this photograph immortalizes MME Wellington Koo's grace and beauty during her time living abroad. The monochrome aesthetic adds a timeless quality to this image while highlighting both fashion trends of the era and Mr Edmund Dulac's artistic talent. It serves as a reminder of an influential figure who played a significant role in diplomatic circles during one of history's most transformative periods. Alfieri masterfully captured this historical moment through his lens without commercial intent but rather with an appreciation for artistry and cultural significance.

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