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Cushion : lifeless world

lifeless world



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lifeless world

Gilbert Claes

Media ID 21974216

Beach Cabin Beach Cabins Cabin Cabins Chairs Holiday Impressionism Impressionistic Leisure Parasol Resort Summertime Sunchair Sunchairs Umbrellas Vacation Wagon Wheel


Cushion

Refresh your home decor with a beautiful full photo 16"x16" (40x40cm) cushion, complete with cushion pad insert. Printed on both sides and made from 100% polyester with a zipper on the bottom back edge of the cushion cover. Care Instructions: Warm machine wash, do not bleach, do not tumble dry. Warm iron inside out. Do not dry clean.

Accessorise your space with decorative, soft cushions

Estimated Product Size is 40cm x 40cm (15.7" x 15.7")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> 1x Gallery > Creative edit

> Arts > Art Movements > Impressionism

> Arts > Artists > O > Oceanic Oceanic

> Arts > Contemporary art > Landscapes > Impressionism

> Arts > Landscape paintings > Coastal landscapes > Landscape paintings


EDITORS COMMENTS
In this print titled "Lifeless World" by Gilbert Claes, we are transported to a summertime beach scene that is both haunting and mesmerizing. The artist's creative edit gives the image an impressionistic touch, with vibrant red umbrellas scattered across the sandy shore. The panoramic view captures the vastness of the ocean, stretching out into infinity. Amidst this seemingly idyllic setting, there is an eerie sense of stillness and abandonment. A lone wagon wheel stands as a silent witness to a forgotten time, while empty chairs and sunchairs line up along the beachfront. The absence of people creates an atmosphere of solitude and mystery. Claes' painterly approach adds depth and texture to the photograph, enhancing its artistic appeal. Each element in the composition seems carefully placed to evoke emotions within us - nostalgia for summer vacations past or perhaps contemplation on our own transient existence. The presence of beach cabins further enhances this narrative; they stand as remnants of joyful holidays gone by but now left vacant. Through his lens, Claes invites us to reflect upon our relationship with nature and how it can be both awe-inspiring yet fragile. With its blend of impressionism and panoramic grandeur, "Lifeless World" transports us beyond mere visual representation into a realm where imagination takes flight. It serves as a reminder that even in moments devoid of human presence, beauty can still be found in unexpected places.

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