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Cushion : 20087016. COLOMBIA
Home Decor from EyeUbiquitous
20087016. COLOMBIA
COLOMBIA North West Amazon Tukano Indigenous People Barasana woman Paulina applying red ochote fruit body paint to arms and upper body in preparation for manioc festival. Hands already coloured dark purple to wrists with we dye from boiled leaves. Tukano sedentary Indian tribe North Western Amazonia body decoration American Colombian Columbia Female Women Girl Lady Hispanic Indegent Latin America Latino South America Tukano
Eye Ubiquitous specialise in unique images of People and Places, their Cultures and Environments
Media ID 20102610
© Brian Moser eye ubiquitous / hutchison
Festivals People Ethnic People Single Person Region South America
Cushion
Refresh your home decor with a beautiful full photo 16"x16" (40x40cm) cushion, complete with cushion pad insert. Printed on both sides and made from 100% polyester with a zipper on the bottom back edge of the cushion cover. Care Instructions: Warm machine wash, do not bleach, do not tumble dry. Warm iron inside out. Do not dry clean.
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Estimated Product Size is 40cm x 40cm (15.7" x 15.7")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
In this print captured by Brian Moser, we are transported to the enchanting world of the Tukano Indigenous People in the North West Amazon. The image showcases a Barasana woman named Paulina as she meticulously applies vibrant red ochote fruit body paint to her arms and upper body in preparation for a momentous manioc festival. Paulina's hands already bear a striking dark purple hue, achieved through dye extracted from boiled leaves. As we observe her delicate yet purposeful movements, it becomes evident that every stroke of color holds deep cultural significance for this sedentary Indian tribe residing in the heart of North Western Amazonia. The photograph not only celebrates the artistry and beauty of Tukano body decoration but also provides us with an intimate glimpse into their rich heritage. Paulina's presence radiates strength and grace, embodying the spirit of generations past while embracing her own identity as an American Colombian Hispanic woman. This powerful visual narrative reminds us of the diversity that exists within Latin America and South America, shedding light on indigenous communities often overlooked or misunderstood. Through Moser's lens, we are invited to appreciate both the individuality and collective spirit present among these resilient people during their joyous festivals.
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