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Cushion : Of carde players and dysers, illustration from Alexander Barclays English translation
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Of carde players and dysers, illustration from Alexander Barclays English translation
XJF486461 Of carde players and dysers, illustration from Alexander Barclays English translation of The Ship of Fools, from an edition published in 1874 (engraving) by German School, (15th century) (after); Private Collection; (add.info.: Alexander Barclay (c.1476-1552) Scottish born English poet, translated Sebastian Brandts (1457-1521) Das Narrenschiff, as The Ship of Fools in 1509. Image is a facsimile of the original German woodcut of 1497 and shows a group of fools gambling. ); German, out of copyright
Media ID 12913633
© www.bridgemanart.com
1497 1509 Alexander Barclay Brandt Brandts Dice Fools Gamble Gambling Gaming Jester Jesters Narrenschiff Players Sebastian Sinner Sinners Translation Vice Vices Dicing
Cushion
Refresh your home decor with a beautiful full photo 16"x16" (40x40cm) cushion, complete with cushion pad insert. Printed on both sides and made from 100% polyester with a zipper on the bottom back edge of the cushion cover. Care Instructions: Warm machine wash, do not bleach, do not tumble dry. Warm iron inside out. Do not dry clean.
Accessorise your space with decorative, soft cushions
Estimated Product Size is 40cm x 40cm (15.7" x 15.7")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print captures a moment of revelry and folly from Alexander Barclay's English translation of "The Ship of Fools". Published in 1874, this engraving is a facsimile of the original German woodcut created in 1497. The image depicts a group of card players and dice throwers engrossed in their games, oblivious to the vices that surround them. As we delve into this scene, we witness the timeless allure and dangers of gambling. The table is adorned with cards and dice, symbols of chance and temptation. Sinners gather around it, their faces filled with anticipation or disappointment as they wager their fortunes away. In this medieval satire, Barclay masterfully portrays the consequences that arise from indulging in such sinful pursuits. Through his translation of Sebastian Brandt's work, he warns against the perils that lie within our own desires. The jester figures scattered throughout add an element of whimsy to this otherwise cautionary tale. They jest and entertain while silently mocking those who succumb to their vices. This artwork serves as a reminder that even centuries later, human nature remains susceptible to temptation. It invites us to reflect on our own choices and consider whether we are mere players or unwitting fools caught up in life's game. With its intricate details and rich symbolism, this illustration continues to captivate viewers today just as it did when first created over five centuries ago.
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