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Cushion : Of the way of felycyte and godnes, and of the payne to come unto sinners, illustration
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Of the way of felycyte and godnes, and of the payne to come unto sinners, illustration
XJF486437 Of the way of felycyte and godnes, and of the payne to come unto sinners, illustration from Alexander Barclays English translation of The Ship of Fools, from an edition published in 1874 (engraving) by German School, (15th century) (after); Private Collection; (add.info.: Alexander Barclay (c.1476-1552) Scottish born English poet, translated Sebastian Brandts (1457-1521) Das Narrenschiff, as The Ship of Fools in 1509. Image is a facsimile of the original German woodcut of 1497 and shows a dragging a cart up hill. The foolishness of carrying sin.); German, out of copyright
Media ID 12913546
© www.bridgemanart.com
1497 1509 Alexander Barclay Brandt Brandts Felicity Fool Foolish Foolishness Fools Goodness Jester Narrenschiff Pain Payne Sebastian Sinner Sinners Translation Uphill Vice Vices
Cushion
Refresh your home decor with a beautiful full photo 16"x16" (40x40cm) cushion, complete with cushion pad insert. Printed on both sides and made from 100% polyester with a zipper on the bottom back edge of the cushion cover. Care Instructions: Warm machine wash, do not bleach, do not tumble dry. Warm iron inside out. Do not dry clean.
Accessorise your space with decorative, soft cushions
Estimated Product Size is 40cm x 40cm (15.7" x 15.7")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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This print captures an illustration from Alexander Barclay's English translation of "The Ship of Fools" published in 1874. The artwork, a facsimile of the original German woodcut from 1497, depicts a powerful message about the way to happiness and righteousness contrasted with the impending pain that awaits sinners. In this thought-provoking image, we see a fool laboriously dragging a cart uphill. Symbolically representing the foolishness of carrying sin, it serves as a stark reminder of the consequences that await those who stray from the path of virtue. The jester-like figure embodies both folly and ignorance, emphasizing how easily one can be led astray by their own vices. Barclay's translation of Sebastian Brandt's "Das Narrenschiff" (The Ship of Fools) was instrumental in bringing this satirical masterpiece to an English-speaking audience in 1509. Through his work, Barclay sought to shed light on human follies and warn against moral corruption. This engraving not only showcases the artistic talent prevalent during Germany's 15th century but also highlights timeless themes such as felicity (happiness) and goodness amidst mankind's inherent flaws. It reminds us that true fulfillment lies in embracing virtuous paths while cautioning against succumbing to temptation. As we gaze upon this evocative image today, it prompts us to reflect on our own choices and actions. It serves as a visual testament to humanity's eternal struggle between vice
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