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Study of the orchard at Eragny-sur-Epte with a tree in the foreground
3469906 Study of the orchard at Eragny-sur-Epte with a tree in the foreground (black chalk on paper) by Pissarro, Camille (1830-1903); 19.1x30.5 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French, out of copyright
Media ID 22445364
© Ashmolean Museum / Bridgeman Images
Composition Compositional Monochrome Neo Impressionism Orchard Orchards Preparatory
Cushion
Refresh your home decor with a beautiful full photo 16"x16" (40x40cm) cushion, complete with cushion pad insert. Printed on both sides and made from 100% polyester with a zipper on the bottom back edge of the cushion cover. Care Instructions: Warm machine wash, do not bleach, do not tumble dry. Warm iron inside out. Do not dry clean.
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Estimated Product Size is 40cm x 40cm (15.7" x 15.7")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This black chalk drawing by Camille Pissarro, titled "Study of the orchard at Eragny-sur-Epte with a tree in the foreground" transports viewers to the serene beauty of a French countryside. The composition showcases Pissarro's mastery in capturing nature's essence through his distinct impressionistic style. In this piece, Pissarro skillfully depicts an enchanting orchard scene with meticulous attention to detail. A majestic tree dominates the foreground, its branches reaching towards the sky as if whispering secrets to the heavens above. Behind it lies a bountiful orchard filled with fruit-bearing trees, their branches laden with colorful blossoms and ripe fruits. The artist's use of monochrome adds depth and texture to this preparatory sketch, allowing us to appreciate every stroke and contour. Through his delicate lines and shading techniques, Pissarro brings life to each element of this botanical study. As we gaze upon this artwork, we are reminded not only of its aesthetic appeal but also its scientific significance. This study serves as a testament to Pissarro's keen interest in botany and natural history—a fusion between art and science that he effortlessly achieves. Displayed proudly at Ashmolean Museum in Oxford, UK, this masterpiece continues to inspire awe among admirers worldwide. It is a testament not only to Pissarro's artistic brilliance but also his ability to capture fleeting moments of beauty found within our natural surroundings.
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