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Cushion : Hop-pickers starting from London Bridge railway station at midnight, 1891 (engraving)

Hop-pickers starting from London Bridge railway station at midnight, 1891 (engraving)



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Hop-pickers starting from London Bridge railway station at midnight, 1891 (engraving)

XJF438428 Hop-pickers starting from London Bridge railway station at midnight, 1891 (engraving) by Ward, Enoch (1859-1922); Private Collection; (add.info.: workers setting off for the countryside to work in the fields; ); British, out of copyright

Media ID 12881069

© www.bridgemanart.com

Departing Hop Picker Hop Pickers Hop Picking Hops Labourers Leaving London Bridge Midnight Picker Pickers Picking Policeman Station Third Class


Cushion

Refresh your home decor with a beautiful full photo 16"x16" (40x40cm) cushion, complete with cushion pad insert. Printed on both sides and made from 100% polyester with a zipper on the bottom back edge of the cushion cover. Care Instructions: Warm machine wash, do not bleach, do not tumble dry. Warm iron inside out. Do not dry clean.

Accessorise your space with decorative, soft cushions

Estimated Product Size is 40cm x 40cm (15.7" x 15.7")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
This engraving, titled "Hop-pickers starting from London Bridge railway station at midnight, 1891" by Enoch Ward, takes us back in time to witness a significant moment in Victorian history. In this scene, we see a group of hardworking men, women, and children embarking on a journey from the bustling city of London to the countryside. The image showcases the annual tradition of hop picking when workers would leave their urban lives behind to labor in the fields. The enchanting atmosphere is heightened by the late hour as they depart under the cover of darkness. As they gather at London Bridge railway station, anticipation and determination are palpable among these agricultural laborers. The artist's attention to detail allows us to observe various aspects of this historical event. We notice third-class carriages filled with families ready for an arduous yet rewarding experience. A vigilant policeman stands nearby ensuring order and safety amidst the commotion. Through this engraving, Ward captures not only a specific moment but also reflects broader themes such as rural-urban migration and social dynamics during that era. It serves as a reminder of how people's lives were intertwined with nature and agriculture even within an industrialized society. As we gaze upon this print today, it evokes nostalgia for simpler times while offering insight into an important chapter in British history - one where individuals sought livelihoods outside their comfort zones through hard work and resilience.

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Ooh, another amazing one!
Ooh, another amazing one!

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