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Cushion : Still Life with a White Mug, c. 1764 (oil on canvas)
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Still Life with a White Mug, c. 1764 (oil on canvas)
7296603 Still Life with a White Mug, c. 1764 (oil on canvas) by Chardin, Jean-Baptiste Simeon (1699-1779); 33.1 x 41.2 cm; National Gallery of Art, Washington DC, USA; (add.info.: by Jean-Baptiste Simeon Chardin (1699-1779))
Media ID 27996194
© Bridgeman Images
Apple Apples Chardin Jean Baptiste Simeon Chardin Jean Simeon 1699 1779 Jean Baptiste Simeon Chardin Knife Knives Oil Paintings Oil Paints Pear Pears Still Lifes Without Anyone
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Refresh your home decor with a beautiful full photo 16"x16" (40x40cm) cushion, complete with cushion pad insert. Printed on both sides and made from 100% polyester with a zipper on the bottom back edge of the cushion cover. Care Instructions: Warm machine wash, do not bleach, do not tumble dry. Warm iron inside out. Do not dry clean.
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Estimated Product Size is 40cm x 40cm (15.7" x 15.7")
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Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This still life painting, titled "Still Life with a White Mug" was created by the renowned French artist Jean-Baptiste Simeon Chardin in 1764. The artwork, measuring 33.1 x 41.2 cm, is housed at the National Gallery of Art in Washington DC. Chardin's meticulous attention to detail and masterful use of color are evident in this piece. The composition features a white mug as its focal point, surrounded by an assortment of vibrant fruits including pears and apples. Each object is rendered with such precision that they appear almost lifelike on the canvas. The play of light and shadow adds depth and dimension to the scene, enhancing the realism of Chardin's work. A knife rests beside the fruit, hinting at their imminent consumption or preparation for a meal. "Still Life with a White Mug" exemplifies Chardin's ability to capture everyday objects in a way that elevates them into works of art. His talent lies not only in his technical skill but also in his ability to evoke emotion through seemingly ordinary subjects. As we gaze upon this painting, we are transported back to 18th-century France, marveling at Chardin's ability to transform simple objects into captivating visual narratives. It serves as a testament to his enduring legacy as one of history's greatest still-life painters.
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