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Cushion : Le Salon Pour Rire, from the Gill-Revue, 1868 (colour litho)
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Le Salon Pour Rire, from the Gill-Revue, 1868 (colour litho)
956980 Le Salon Pour Rire, from the Gill-Revue, 1868 (colour litho) by Gill, Andre (1840-85); Private Collection; French, out of copyright
Media ID 22497524
© Bridgeman Images
Artworks Clock Mandolin Manet Mockery Mocking Monet Page Daubigny Jacquemart Nicolet
Cushion
Refresh your home decor with a beautiful full photo 16"x16" (40x40cm) cushion, complete with cushion pad insert. Printed on both sides and made from 100% polyester with a zipper on the bottom back edge of the cushion cover. Care Instructions: Warm machine wash, do not bleach, do not tumble dry. Warm iron inside out. Do not dry clean.
Accessorise your space with decorative, soft cushions
Estimated Product Size is 40cm x 40cm (15.7" x 15.7")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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Le Salon Pour Rire - A Whimsical Journey through Art and Humor
EDITORS COMMENTS
. Step into the world of laughter and satire with "Le Salon Pour Rire" a captivating print from the Gill-Revue, dating back to 1868. This vibrant colour lithograph by Andre Gill takes us on a delightful journey filled with artistic mockery and musical merriment. In this artwork, we find ourselves amidst a bustling salon, where artists gather to showcase their talents while indulging in playful banter. The room is adorned with caricatures, satirical cartoons, and artworks that reflect the wit and humor of the era. Amidst this whimsical scene, our attention is drawn to a mischievous figure playing the mandolin. With his comically exaggerated features and animated gestures, he adds an element of liveliness to the atmosphere. The clock on the wall seems frozen in time as if captivated by his enchanting melodies. As we explore further, we notice statues depicting renowned artists such as Daubigny, Manet, Monet - icons who have left an indelible mark on art history. Their presence serves as both homage and gentle mockery within this satirical setting. The jacquemart Nicolet stands tall nearby; its mechanical movements seem almost synchronized with the rhythm of laughter echoing through Le Salon Pour Rire. This remarkable print captures not only moments of amusement but also offers insightful commentary on society's obsession with art during that period. It reminds us that even within
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