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Acting Magistrates commiting themselves, being their first appearance as performed
XCF290998 Acting Magistrates commiting themselves, being their first appearance as performed at the National Theatre Covent Garden, London, 1809 (colour engraving) by Gillray, James (1757-1815); Covent Garden Opera House Collection, London, UK; (add.info.: satirical cartoon on the Old Price Riots, 1809; ); English, out of copyright
Media ID 18254831
© Covent Garden Opera House Collection, London, UK / Bridgeman Images
Audience Commit Conductor Magistrate Orchestra Performing Riots Justice
Cushion
Refresh your home decor with a beautiful full photo 16"x16" (40x40cm) cushion, complete with cushion pad insert. Printed on both sides and made from 100% polyester with a zipper on the bottom back edge of the cushion cover. Care Instructions: Warm machine wash, do not bleach, do not tumble dry. Warm iron inside out. Do not dry clean.
Accessorise your space with decorative, soft cushions
Estimated Product Size is 40cm x 40cm (15.7" x 15.7")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print captures a historic moment in the world of theater and politics. Titled "Acting Magistrates commiting themselves, being their first appearance" this colorful engraving by James Gillray transports us back to the National Theatre Covent Garden in London, 1809. The image is a satirical cartoon depicting the Old Price Riots that took place during that time. It showcases a scene filled with law officials, musicians, and actors coming together on stage. The conductor stands proudly in front of an orchestra pit while magistrates take center stage, committing themselves to their roles for the very first time. The vibrant colors and intricate details bring this political satire to life. The audience can be seen eagerly watching from their seats as they witness this unique performance unfold before them. This piece not only highlights the entertainment aspect of theater but also delves into deeper themes of justice and societal unrest. As we gaze upon this remarkable artwork, we are reminded of the power that art holds in reflecting upon historical events and social issues. It serves as a testament to how theater has always been intertwined with politics throughout history. This print truly encapsulates a significant moment in Georgian society and invites us to ponder its relevance even today.
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